Page - 982 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2
Image of the Page - 982 -
Text of the Page - 982 -
982 Bibliography
Verheyen, Egon, ‘Studien zur Baugeschichte des Palazzo del Te zu Mantua’, in Mit-
teilungen des Kunsthistorischen Instituts Florenz 16 (1972 (a)), 73–114.
Verheyen, Egon, ‘The Palazzo del Te: In Defense of Jacopo Strada’, in JSAH 31 (1972 (b)),
135–137.
Verheyen, Egon, The Palazzo del Te in Mantua: Images of Love and Politics (Baltimore
MD and London, 1977).
Vermeylen, Filip, ‘The Art of the Dealer: Marketing Paintings in Early Modern Ant-
werp’, in COOLS/KEBLUSEK/NOLDUS 2006, 109–119.
Vertova, Luisa, ‘Giulio Licinio’, in i pittori bergamaschi dal XIII al XIX secoli: Il Cinquecen-
to, vol. 2 (Bergamo, 1976), 513–589.
Vico, Enea, Le Imagini con tutti i riversi trovati et le vite degli [XII] imperatori tratte dalle
medaglie et dalle historie degli antichi (Venice, 1548).
Vico, Enea, Omnium Caesarum verissimae imagines ex antiquis numismatis desumptae
… (s.l. [Venice], 1554).
Vignau-Wilberg, Thea: ‘“Qualche deseigni d’importancia”: Joris Hoefnagel als Zeich-
nungssammler’, in MJbK, F. 3, 38 (1987), 185–214.
Vischer, Georg Matthäus, Topographia archiducatus Austriae inferioris modernae. Con-
trofee und Beschreibung aller Stätt, Clöster und Schlösser wie sie anietzo stehen in dem
Ertzhertzogtumb unter Osterreich, 4 vols (Vienna, 1672).
Visser, A.S.Q., Johannes Sambucus and the Learned Image: The Use of the Emblem in
Late-Renaissance Humanism (Boston MA, 2005).
Vitruvius, see FONTANA AND MORACHIELLO (1975).
Vivoli, Carlo, ‘Dani, Iacopo’, s.v. in DBI, 32 (1986).
Vocelka, Karl, Habsburgische Hochzeiten 1550–1600: Kulturgeschichtliche Studien zum
manieristischen Representationsfest (Vienna, 1976).
Vocelka, Rosemarie, ‘Die Begräbnisfeierlichkeiten für Kaiser Maximilian II. 1576/77’, in
MIÖG 84 (1976), 105–136.
Völkel, Markus, ‘Von Augsburg nach Paris, von Oporin zu Cramoisy: Die reichsstädtische
Byzantinistik und die europäische Respublica litteraria in der frühen Neuzeit’, in
Müller 2010 (293–308).
Volkamer, Johann Christoph, ed., Nürnbergische Hesperides oder gründliche Besch-
reibung der edlen Citronat, Citronen und Pomerantzen-Früchte. Neudruck der Aus-
gabe Nürnberg, 1708, hrsg. von Harri Günther. Mit einem Nachwort von Heinrich Ha-
mann (Munich, 1987/1708).
Vos, Lambert, Das Kostümbuch des Lambert de Vos. Vollständige Faksimile-Ausgabe im
Originalformat des Codex Ms. or. 9 aus dem Besitz der Staats- und Universitätsbib-
liothek Bremen, ed. Hans-Albrecht Koch, 2 vols (Graz, 1991). Vol. 1: Faksimile; vol. 2:
Kommentarband.
Vrančić, Antun, see VERANCSICS, Antal.
Waetzold, Stephan, Die Kopien des 17. Jahrhunderts nach Mosaiken und Wandmalereien
in Rom (Vienna and Munich, 1964).
back to the
book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038