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991Illustrations
1.16 Titian, portrait of Alessandro Cardinal Farnese, Napoli, Museo
Nazionale di Capodimonte; image Wikimedia/wga.hu    56
1.17 Giulio Romano, ceiling of the Camera delle Aquile, Palazzo del Te,
Mantua; image Wikimedia/ Livioandronico 2013 (CC BY-SA 4.0
international)    58
1.18 Titian, Portrait of Giulio Romano (ca 1536–1540); Mantua, Palazzo del
Te; image SPCM    58
1.19 Francesco Primaticcio, with Giovan Battista Mantovano, Camera degli
Stucchi, ceiling, Palazzo del Te, Mantua; image SPCM    59
1.20 Francesco Primaticcio, with Giovan Battista Mantovano, Neptune,
Camera degli Stucchi, detail of ceiling, Palazzo del Te, Mantua; image
SPCM    59
1.21 Francesco Primaticcio, with Giovan Battista Mantovano, Camera
degli Stucchi, ceiling, detail of frieze, Palazzo del Te, Mantua; image
SPCM    59
1.22 The ‘credenza’ piled with gold and silver tableware, detail from
Giulio Romano’s fresco of The Wedding of Cupid and Psiche, detail of
Fig. 1.10    64
1.23 Giulio Romano, design for a silver or gold salt cellar; SLP, ms. DL III 3,
f. 1r    65
1.24 Giulio Romano, design for a silver or gold drinking vessel, draw-
ing in pen and ink, wash and gouache; MET, acc. nr 1971.513.16 (CCO
1.0)    65
2.1 Landshut, Stadtresidenz, Courtyard façade of the Italienische Bau
(1537–1540); image author    73
2.2 Landshut, Stadtresidenz, Loggia of the Italienische Bau (1537–1540);
image author    74
2.3 Landshut, Stadtresidenz, Loggia of the Italienische Bau (1537–1540),
detail; image author    74
2.4 Landshut, Stadtresidenz, the ‘Italian’ lantern of the chapel; image
author    75
2.5 Landshut, Stadtresidenz, Italienischer Bau, stucco and painted ceiling
of the Italienische Saal; images Wikimedia/ HighContrast (CC BY
3.0)    78
2.6 The remains of the Schenkenschloss on the Roßberg near Würzburg,
engraving after a drawing by S. Hesselbach dating from 1818; image
from KESSLER 1851, between pp. 96–07 
  80
2.7 The seal of Christoph Schenk von Roßberg, detail of Fig. 2.6    80
2.8 The Schenkenturm on the Roßberg in a recent photograph; image
author    80
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038