Page - 992 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2
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992 Illustrations
2.9 Leone Leoni, Gian Giacomo de’ Medici, Marquis of Marignano, statue
from his tomb in Milan Cathedral; image Wikimedia/ Daniel Case
(CC BY-SA 3.0) 
  85
2.10 Wenzel Jamnitzer, the Merkelsche Tafelaufsatz, ca 1548–1549; ARM, inv.
nr BK-17040-A    85
2.11 Wenzel Jamnitzer, the original case of the Merkelsche Tafelaufsatz;
ARM, inv. nr BK-17040-B    85
2.12 Valentin Maler, Portrait medal of Wenzel Jamnitzer, 1571, location
unknown; image Wikimedia/ Sailko (CC BY-SA)    90
2.13 Wenzel Jamnitzer, silver-gilt casket, ca 1550-1560; Munich, Schatzkam-
mer der Residenz; image BVS    92
2.14 Francesco Primaticcio, after designs by Giulio Romano, Camera degli
Stucchi in the Palazzo del Te, Mantua, detail of the ceiling; image
SPCM    92
2.15 Wenzel Jamnitzer, reliquary for the Empress Maria, ca 1570, Madrid,
Monasterio de las Descalzas Reales; image from WENZEL JAM-
NITZER 1985    92
2.16 Jacopo Strada’s publisher’s mark, from his Epitome thesauri antiquita-
tum, Lyon 1553; image HHB-D (CC BY-SA 3.0)    93
2.17 Wenzel Jamnitzer, title page of his Perspectiva corporum
regularium, Nuremberg 1568, SLUB, sign. Optica.21; image
SLUB-DS    93
2.18 Wenzel Jamnitzer, frontispiece, engraving, 1551; image from WENZEL
JAMNITZER 1985    94
2.19 Jacopo Strada, Magnum ac Novum Opus, vol. 1, title page; FBG, ms.
Chart. A 2175-1, f. Vr    94
2.20 Workshop of Wenzel Jamnitzer, Visierung for the Merkelsche Tafelauf-
satz; Nuremberg, Germanisches Nationalmuseum, inv. nr HZ 5360,
Kapsel 1055    100
2.21 Wenzel Jamnitzer, the Merkelsche Tafelaufsatz; ARM, inv. nr
BK-17040-A    100
2.22 Workshop of Wenzel Jamnitzer, Visierung for the Merkelsche Tafelauf-
satz; detail of ill. 2.20    101
2.23–2.24 Jacopo Strada, Magnum ac Novum Opus, vol. 1, title page; details of
ill. 2.19    101
2.25 Jacopo Strada, Diana, design for a festival costume; ÖNB-HS, Cod. min.
21,3, f. 324/81    103
2.26 Workshop of Wenzel Jamnitzer, after a design by Jacopo Strada, Ceres,
element of the Visierung for the Merkelsche Tafelaufsatz; detail of
ill. 2.20    103
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038