Page - 993 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2
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993Illustrations
2.27 Wenzel Jamnitzer, ewer and basin, Milan, Museo Diocesano    104
2.28 Wenzel Jamnitzer, ewer and basin, Milan, Museo Diocesano    104
3.1 Christoph Amberger, Hans Jakob Fugger, 1541, present location
unknown; image Wikimedia/pd    108
3.2 Giulio Romano, Sacra Famiglia, painted 1520–1521 for the Fugger
Chapel in Santa Maria dell’Anima, Rome; image from RAKATANSKY
2018, Fig. 9    110
3.3 Lambert Sustris (?), after Titian: Emperor Charles V, APM, inv. nr 632;
image bpk | BStGS 
  110
3.4 Hans Mielich, Albrecht V, Duke of Bavaria, APM, inv. nr 4301; image
bpk | BStGS    113
3.5 Friedrich Brugger, Hans Jakob Fugger: Beförderer der Wissenschaft,
1857, bronze, Augsburg, Fuggerplatz; image author    113
3.6 The coat of arms of Hans Jakob Fugger and the portraits of Hans
Jakob and his first wife, Ursula von Harrach, in the Ehrenbuch des
Fuggerischen Geschlechts; BSB-HS, sig. Cgm 9460, p. 12 (CC BY-NC-SA
4.0)    113
3.7 The portraits of Hans Jakob and his first wife, Ursula von Harrach, in
the Ehrenbuch des Fuggerischen Geschlechts; BSB-HS, sig. Cgm 9460,
p. 90 (CC BY-NC-SA 4.0) 
  113
3.8–3.9 A page from the Vienna version of the Ehrenspiegel Österreichs, and a
detail showing the silver shrine for the relics of Margrave Leopold III
of Austria, commissioned by Emperor Maximilian I at the time of his
canonization; ÖNB-HS, Cod. 8613, f. 23r    115
3.10 Theodor de Bry, portrait of Conrad Gesner, engraving from BOISSARD
1597–1599, vol. 4 (1599), p. 130, Vienna University Library, sig. I-231.994
A; image Phaidra    120
3.11 Conrad Gesner Bibliotheca Universalis, Zurich 1545, title page, Zurich,
ETH Library, sig. Rar 9177; image e-rara.ch    120
3.12 Portrait of Hieronymus Wolf, engraving from BOISSARD 1597–1599,
vol. 2 (1598), p. 270. Vienna University Library, inv. nr I-231.994 A; image
Phaidra    120
3.13 Hans Mielich, Samuel Quiccheberg, illumination from the ms of
Orlando di Lasso’s Penitential Psalms; image Wikimedia/pd    120
3.14 Portrait of Petrus Apianus, engraving from BOISSARD 1597–1599,
vol. 1 (1597), p. 270. Vienna University Library, sig. I-231.994 A; image
Phaidra    123
3.15–3.17 Petrus Apianus and Bartholomäus Amantius, Inscriptiones
sacrosanctae vetustatis (1534), title page and two of its illustrations
(pp. CCLXIX: the Column of Trajan, and CCCCXXXV: inscription and
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038