Page - 996 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2
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996 Illustrations
3.60 Gabriele Symeoni, Le imprese heroiche et morali, Lyon (Rouillé) 1559,
the emblem of Augustus, p. 8; image BSB-MDZ (CC BY-NC-SA
3.0)    146
3.61 Jacopo Strada’s printer’s mark (first used 1553), detail from Fig.
3.46    146
3.62 Jacopo Strada, title page of his Imagines omnium Numismatum
antiquorum<…>à Romulo usqu[e] ad C. Iulium Caes.<…>, 1554; Paris,
Bibliothèque de l’Arsenal, sig. ms. 1019    148
3.63 Philibert de L’Orme, the Ionic Gallery of the Hôtel Bullioud, Lyon
(1536); image Wikimedia/ Arnaud Fafournoux/pd    150
3.64 Portrait of Philibert de l’Orme, woodcut from Architecture de Philibert
de L’Orme … Oeuvre entière contenant unze Livres, augmentée de deux,
Paris (Regnauld Chaudière), 1626; image Wikimedia/pd    150
3.65 Sebastiano Serlio, Il primo libro d’architettura, Paris 1545, title page;
image Architectura / Centre d’Études Supérieures de la Renaissance,
Tours    151
3.66 Sebastiano Serlio, Il terzo libro … nel qual si figurano et descrivano
le antiquità di Roma, e le altre che sono in Italia, e fuori d’Italia, Venice
1544, title page; HUB, sig. C 6339-8-10 Fol. Res; image BSB-MDZ (CC
BY-NC-SA 3.0)    151
3.67 Sebastiano Serlio, Regole generali di architettura … sopra le maniere
de gli edifici, Venice 1544 (= Quarto libro), title page; image BSB-MDZ
(CC BY-NC-SA 3.0)    151
3.68 Sebastiano Serlio, Quinto libro d’architettura … nel quale si tratta
de Tempi, Paris 1547, title page; image BSB-MDZ (CC BY-NC-SA
3.0)    151
3.69–3.72 Sebastiano Serlio, Livre extraordinaire de architecture … auquel sont
démonstrées trente Portes Rustiques meslées de divers ordres, et vingt
autres d’oeuvre delicate en diverses especes, Lyon 1551, title page and
three designs for portals, nrs. 1, 14 and 20; images BN-INHA, collections
Doucet, sig. Num Fol Est 434 (open licence)    152
3.73 Sebastiano Serlio, architectural design from Serlio’s ms. of the Sesto
libro as acquired by Jacopo Strada, BSB-HS Cod. icon. 189, f. 53r.; image
BSB-MDZ (CC BY-NC-SA 3.0)    153
3.74 Sebastiano Serlio, architectural design from Serlio’s ms. of the Set-
timo libro as acquired by Jacopo Strada, ÖNB-HS, ms. Ser. Nov. 2649,
f.Â
50v    153
3.75–3.76 Sebastiano Serlio, architectural designs from Serlio’s ms. of the Ottavo
libro d’ architettura: della castrametatione di Polybio as acquired by
Jacopo Strada, folding plate, fol. 26v-27r and pl. 2. fol/ 3r; BSB-HS, Cod.
icon. 190; image BSB-MDZ (CC BY-NC-SA 3.0)    154
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038