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1000 Illustrations
5.1 Matthaeus Merian, Ambras Castle near Innsbruck; engraving from his
Topographia Provinciarum Austriacarum, Frankfurt a.M. 1679, from
STRIDBECK 1700, Fig. 128; image Wikimedia/pd    253
5.2 Ambras Castle, reception hall or Spanische Saal; image author    253
5.3 Anonymous sculptor, Ferdinand I as Roman Emperor, ca 1520–1525;
image from KAISER FERDINAND I 2003, p. 180    256
5.4 The portal of the Zeughaus or Arsenal in Wiener Neustadt, dated 1524;
image Wikimedia/ Wolfgang Glock (CC BY-SA 3.0)    256
5.5 Loy Hering, tomb of Count Niklas Salm, after 1530, Vienna, Votivkirche;
image author 
  256
5.6 Trento, Castello del Buonconsiglio: the Magno Palazzo built 1528–1536
for Bernardo Cles, Prince-Bishop of Trent: west façade; image © Fabian
Meseberg | Dreamstime.com    257
5.7 The Magno Palazzo built 1528–1536 for Bernardo Cles, Prince-Bishop
of Trent: the loggia frescoed by Girolamo Romanino, 1531–1532;
image from CASTELNUOVO 1995–1996, vol. 1 (1995), p. 35,
Fig. 21    257
5.8 The Magno Palazzo: ceiling of the Camera del Camin Nero, with fres-
coes on antiquarian themes by Dosso and Battista Dossi, 1531–1532;
Trento, Castello del Buonconsiglio; image Wikimedia/ Carlo Dell’Orto
(CC BY-SA 4.0) 
  257
5.9 The Magno Palazzo: ceiling of the Stua della Famea, with frescoes on
antiquarian themes by Dosso and Battista Dossi, 1531–1532, Trento,
Castello del Buonconsiglio; image from CASTELNUOVO 1995–1996,
vol. 1 (1995), p. 155, Fig. 106a    257
5.10 Paolo della Stella (?) or Bonifaz Wohlmut (?), the castle at Kaceřov,
Bohemia, built 1540–1560 for Florian Griespek von Griespach, façade;
image Wikimedia/ Petr Kinšt (CC BY-SA 4.0)    259
5.11 Paolo della Stella (?) or Bonifaz Wohlmut (?), the castle at Kaceřov,
Bohemia, the arcade of the courtyard; image Wikimedia/ Jik Jik (CC
BY-SA 3.0)    259
5.12 Innsbruck, Hofkirche, built 1553 after designs by Andrea Crivelli to
house the tomb of Emperor Maximilian I: entrance portal; image
Wikimedia/ Lure (CC BY-SA 3.0)    260
5.13 Innsbruck, HofkircheI: interior with cenotaph and bronze sculptures
of the Emperor’s ancestors and predecessors; image Wikimedia/
Zairon (CC BY-SA 4.0)    260
5.14 Plaque commemorating the earliest adaptations of the Hofburg under
Ferdinand I, 1535; image author    261
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038