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1007Illustrations
6.23 Sebastiano Serlio, Sesto Libro, Project XVIII, ‘Della casa del principe
a modo di fortezza’, detail from a drawing in the Munich manuscript;
project XVIII; BSB-HS, Cod. icon. 189, f. 18ar    359
6.24 Giulio Romano, Palazzo Adimari-Salviati, Rome, from Paul Letarouilly,
Edifices de Rome moderne, 6 vols, Paris (Didot) 1840–1857, vol. 6, Pl. 277;
Zurich, ETH Library, sig. Rar 6817; image e-rara.ch    359
6.25–6.26 Sebastiano Serlio, so-called Eighth Book (on military architecture):
project for a ‘Foro’, plan and courtyard elevation, BSB-HS, Cod. icon.
190, ff. 8r. and 10r.; image BSB/MDZ (CC BY-NC-SA 3.0)    360
6.27–6.28 Schloss Porcia, Spittal an der Drau, courtyard, ca 1535; image Wikime-
dia/ Mefusbren69/pd    360
6.29 The Stallburg, Vienna: courtyard; image Wikimedia/ SchiDD (CC
BY-SA 4.0)    361
6.30 Sebastiano Serlio, elevation of the Colosseum in Rome, woodcut from
the Terzo Libro, Venice 1544, HUB, sig. C 6339-8-10 Fol. Res; image HHB-
D (CC BY-SA 3.0)    362
6.31 The Stallburg, Vienna: courtyard, detail from Fig. 6.29; image Wikime-
dia/ SchiDD (CC BY-SA 4.0)    362
6.32 Sebastiano Serlio, elevation of the Arena in Verona; woodcut from the
Terzo Libro, Venice 1544, HUB, sig. C 6339-8-10 Fol. Res; image HHB-D
(CC BY-SA 3.0) 
  362
6.33 Giulio Romano, Palazzo Stati-Maccarani, Rome; photograph from
RAKATANSKY 2018    363
6.34 Giulio Romano, Basilica of San Benedetto in Polirone, side-façade;
photo ©Mark Rakatansky 
  363
6.35 Giuliano da Sangallo, cortile of the Palazzo Scala-Della
Gherardesca, Florence, mid 1470s; image Wikimedia/ Sailko
(CC BY-SA 3.0) 
  365
6.36 Anonymous, traditionally attributed to Giovanni Battista Bertani, fa-
çade of the house Via Carlo Poma 22, Mantua, ca 1560 (?); image from
CARPEGGIANI 1992    365
7.01 Bonifaz Wohlmut, Plan of Vienna, 1547, detail from the copy drawn by
Albert Camesina, 1857, showing the location of Strada’s house; image
Wikimedia/pd    368
7.02 Augustin Hirschvogel, Plan of Vienna, 1547, engraving, detail of the
same location; image Wikimedia/pd    368
7.03 The position of Strada’s house indicated in a map related to the urban
planning of the Ringstrasse, mid 19th century; image author    368
7.4 The house of Giulio Romano in Mantua, 1544; image author    370
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038