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1008 Illustrations
7.5 The former house of Jacopo Strada on the town plan of Daniel Sut-
tinger, 1684, after a lithographic copy by Albert Camesina (Jahresgabe
des Alterthumsverein an seien Mitglieder für das Vereinsjahr 1876),
Vienna 1876    373
7.6 The former house of Jacopo Strada, detail of the bird’s eye view of
Vienna during the 1683 siege, engraving after Daniel Suttinger; ÖNB-
BA, inv. nr NB 204.762-C    373
7.7 The former house of Jacopo Strada on the town plan of Werner Arnold
Steinhausen, 1710, detail; image ÖNB-BA, inv. nr E 24.361    374
7.8 Photograph of the former Strada house, shortly before its demolition;
image ÖNB-BA, inv. nr 114082 C 
  374
7.9 Salomon Kleiner, The Liechtenstein palace in the Schenkenstrasse, the
former Strada house on the left, design for Joannes Corvinus engrav-
ing, 1725; ÖNB-HS, Cod. Min. 9, Bd. 1, f. 12    376
7.10 Mario Carpo, reconstruction of the house of Jacopo Strada in Vienna,
detail of Fig. 7.13    378
7.11 The house of Jacopo Strada in Vienna, detail of Salomon Kleiner’s view
of the Stadtpalais Liechtenstein, drawing from his Architekturveduten
von Wien, 1724–1740, ÖNB-HS, Cod. Min. 9, Bd. 1, f. 12; image ÖNB-BA,
inv. nr 10266136    378
7.12 Joannes Corvinus, view of the Palais Althan-Pignatelli, Vienna: detail
showing part of the house of Jacopo Strada (left), engraving after Salo-
mon Kleiner, 1725; ÖNB-HS, Cod. min. 9 fol 14; image ÖNB-BA    378
7.13 Mario Carpo, reconstruction of the house of Jacopo Strada in Vienna,
façade on the Vordere Schenkenstrase; image author    379
7.14 Donato Bramante, Palazzo Caprini, Rome; ca 1510, from 1517 inhabited
by Raphael, engraving Antonio Lafréry, 1549; image from RAKATAN-
SKY 2018    380
7.15 Attributed to Raphael, house for Jacopo da Brescia, Rome; ca 1515–1519
(demolished ca 1936); image Wikimedia/pd 
  380
7.16 Sebastiano Serlio, design for a townhouse on a ‘noble’ location, project
25 from the Settimo Libro, SERLIO 1575, pp. 62–63, detail; image SLUB-
DS (CC-BY-SA 4.0)    381
7.17 Raphael, assisted by Giulio Romano, Palazzo Alberini-Cicciaporci,
Rome ca 1517–1519, engraving by Claude Duchet, ca 1550, ARM, inv. nr
RP-P-1957-653-18-2    382
7.18 Giulio Romano, Palazzo Stati-Maccarani, Rome, ca 1522–1525, engrav-
ing by Lafréry, 1549; image from RAKATANSKY 2018    382
8.1 Wilhelm Egkl, the Münzhof, Munich, built 1562–1567, to house the
Kunstkammer of Duke Albrecht V; image Wikimedia/Gfreihalter (CC
BY-SA 3.0)    385
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038