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8.19 Jacopo Strada, ground plan of the Antiquarium, the ‘stanze dele teste’;
detail of ill. 8.17 
  406
8.20 Jacopo Strada, design for the Munich Antiquarium, interior elevation;
BSB-HS, Cod. Icon. 198 c, nr 2, f. 3r 
  408
8.21 A–B Comparison on scale of interior elevation and ground plan of Jacopo
Strada’s design for the Munich Antiquarium, details from ills. 8.17 and
8.20    409
8.22 Giulio Romano, Loggia di Davide in the Palazzo del Te, Mantua, 1535,
end wall; image Wikimedia/ Carlo Alberto Magagnini (CC BY-SA
4.0)    410
8.23 The end wall of the Munich Antiquarium, with monumental
chimneypiece and ceremonial dais (ca 1590); image Elizabeth
Shaffer    411
8.24 A–B Comparison on scale of ground plan and exterior elevation of Jacopo
Strada’s Antiquarium design; details of ills. 8.17 and 8.15 
  413
8.25 A–B Comparison on scale of exterior and interior elevations of Jacopo
Strada’s design for the Munich Antiquarium; details of ills. 8.15 and
8.20    414
8.26 Raphael, Palazzo Branconio dell’Aquila in Rome (1520), engraving by
Pietro Ferrerio, ARM, sig. RP-P-1957-653-19-2    415
8.27 Jacopo Strada, exterior elevation of the Munich Antiquarium (as in ill.
8.15)    415
8.28 Giulio Romano, Palazzo del Te, Mantua; slipped keystones, detail of
courtyard façade; image Wikimedia/ Marcok (CC BY-SA 3.0) 
  417
8.29 Jacopo Strada, exterior elevation of the Munich Antiquarium, detail of
ill. 8.15, showing slipped voussoirs    417
8.30 Giulio Romano, Palazzo del Te, Mantua; window-surround,
detail of courtyard façade; image Wikimedia/ Marcok (CC BY-SA
3.0)    417
8.31 Jacopo Strada, exterior elevation of the Munich Antiquarium, detail of
ill. 8.15, showing window-surround    417
8.32 Giulio Romano and Giovanni Battista Bertani, Cortile della Mostra,
Mantua, Palazzo Ducale (1556); image anna-in-parma.blogspot.
nl/2013_03_01 (consulted 07.01.2018)    418
8.33 Bartolommeo Ammanati, garden façade of the Palazzo Pitti, Florence,
1560; image Wikimedia/Stefan Bauer (CC BY-SA 2.5)    419
8.34 Jacopo Strada, exterior design for the Munich Antiquarium; detail
of ill. 8.15    419
8.35 Andrea Palladio after a design by Giulio Romano, Palazzo Thiene, Vi-
cenza, window surround; image Wikimedia/ Alain Rouiller (CC BY-SA
2.0)    419
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038