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1015Illustrations
9.56 Pietro Cataneo, Plan of a ‘palazzo circolare’; engraving from CATANEO
1554, p. 54; image GRI, sig. pi2 A-O, ID-Accession nr 85-B7035    478
9.57 The substructures of the Palace of Diocletian at Split; image Wikime-
dia/ Carole Raddato (CC BY-SA 2.0)    479
9.58 The substructures of the Palace at Jülich; image from
DOOSE/PETERS 1998, p. 38    479
9.59 The third-century cryptoporticus at Reims; image Wikimedia/
Fab5669    479
9.60 Philibert de l’Orme, Cryptoportique at the Château d’Anet, built
1547–1552 for Diane de Poitiers; image Wikimedia/ Audinou (CC
BY-SA 2.0)    480
9.61 An arcade flanked by narrower bays pierced by niches in one of the
‘schöne Sälen’ of the Neugebäude; image author    480
9.62 Plan of the Circus of Maxentius on the Via Appia in Rome, pencil
sketch by Sallustio Peruzzi, Florence, Uffizi, inv. nr GDSU 687 A, verso;
image    481
9.63 Reconstruction of the Circus Maximus and the Imperial palaces on
the Palatine Hill, engraving from Onofrio Panvinio’s De ludis circensi-
bus libri duo, Rome 1565; image Villanova University PA, Digital Library
(CC BY-SA 3.0) 
  481
9.64 Giovanni Battista Piranesi, remains of the Villa of Maecenas at Tivoli,
etching, 1763, plate 119 from his print series Vedute di Roma, vol. 2 (ca
1748–1778); image Yale University Art Gallery/pd    482
9.65 Pietro da Cortona, reconstruction of the Sanctuary of Fortuna
Primigeneia at Palestrina; Berlin, Kupferstichkabinett, KdZ
26441    482
9.66 Jacques Androuet du Cerceau, the ‘Horti Bassiani’, after Pirro Ligorio’s
1561 plan of ancient Rome; engravings from ANDROUET DU CER-
CEAU 1584, pl. 9; image BN-NHA, collections Doucet, sig. 4° Res 88
(open licence)    482
9.67–9.68 Jacques Androuet du Cerceau, the Horti Caesaris and Domus Petro-
nii, after Pirro Ligorio’s 1561 plan of Ancient Rome; engravings from
ANDROUET DU CERCEAU 1584, psl. 37 and 41 ; images BN-INHA,
collections Doucet, sig. 4° Res 88 (open licence)    483
9.69 The Castrum Praetorium and an adjoining Vivarium, from Pirro
Ligorio’s 1561 plan of Ancient Rome; image from GASTON 1988, p. 85,
Fig.Â
77    484
9.70 Joannes and Lucas van Doetecum, after Sebastiaan van Noye, plan
of the Baths of Diocletian, engraving from the print series Thermae
Diocletiani imperatoris, published by Hieronymus Cock, Antwerp 1558;
image from NALIS 1998, p. 50, cat. nr 54    485
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038