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1017Illustrations
9.90 The Villa Gonzaga-Simonetta in Milan, built 1547–1555 after designs
by Domenico Giunti, engraving by Marc’ Antonio dal Re, 1726; image
Wikimedia/pd    497
9.91 The Villa Gonzaga-Simonetta in Milan, the principal façade; image
Wikimedia/Carlo Dell’Orto (CC BY-SA 3.0)    497
9.92 Ippolito Andreasi, The garden façade of the Palazzo del Te, pen and
wash drawing, 1567; commissioned by Jacopo Strada; SMKP, inv. nr F.P.
10922, image SMKP-Horst Kolberg/ARTOTHEK 
  498
9.93 The garden façade of the Palazzo del Te, as adapted by Paolo Pozzo
in the late eighteenth century; image © Atm2003 | Dreamstime.
com    499
9.94 Pierre Lescot, the private garden of the Château de Vallery, built
1555–1556; engraving from Les plus excellents bastiments de France;
image from ANDROUET DU CERCEAU 1576, pl. 43; image BN-INHA,
collections Doucet, sig. Num Fol Res 538(1) (open licence)    501
9.95 Ippoloto Andreasi, the Loggia di Davide of the Palazzo del Te; detail of
ill. 8.22    502
9.96 The arcade of the Neugebäude in situ, drawing by Anton de Moys, 1601;
detail of Fig. 9.29    502
9.97 Sebastiano Serlio, the Arch of the Sergii at Pola (Pula), woodcut from
the Terzo Libro, Venice 1544, p. CXXVII; image HHB-D (CC BY-SA
3.0)    503
9.98 Sebastiano Serlio, design for a rustic Tuscan entrance portal,
woodcut from the Libro extraordinario, 1551, Part 2, proposal III;
image BN-INHA, collections Doucet, sig. Num Fol Est 434 (open
licence)    503
9.99 Sebastiano Serlio, rustic portico, featuring coupled Tuscan columns;
woodcut from the German edition of the Quarto Libro, SERLIO 1542,
f. 12r.; image Zurich, Zentralbibliothek, sig. T 74 | G / e-rara.ch    504
9.100 Sebastiano Serlio, design for a courtyard façade in the Corinthian
order; woodcut from the German edition of the Quarto Libro, SER-
LIO 1542, f. 12r.; Zurich, Zentralbibliothek, sig. T 74|G; image e-rara.
ch 
  504
9.101 The loggia and gallery of the Château de Verneuil, engraving from Les
plus excellents bastiments de France; image from ANDROUET DU
CERCEAU 1576, pl. 51; image BN-INHA, collections Doucet, sig. Num
Fol Res 538(1) (open licence)    505
9.102 The garden façade of the Château de Saint-Maur, engraving from Les
plus excellents bastiments de France; image from ANDROUET DU
CERCEAU 1579, pl. 27; image BN-INHA, collections Doucet, sig. Num
Fol Res 538(2) (open licence)    505
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038