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1018 Illustrations
9.103 The Loggia di Davide of the Palazzo del Te, Mantua; detail of ill.
9.93 506
9.104 The arcade from the Neugebäude, as reused in the Gloriette, Schönb-
runn, Vienna; detail of Fig. 9.34 506
9.105–9.106 North façade and West pavilion of the Neugebäude, showing remains
of the heavy stringcourses originally encircling the whole building;
images author 506
9.107 Alexander Colin, marble fountain for the Neugebäude, now in Schönb-
runn; image Wikimedia/ Gryffindor (CC BY-SA-3.0) 511
9.108–9.109 Alexander Colin, design for fountain for the Neugebäude and a detail,
drawing, Innsbruck, Tiroler Landesmuseum Ferdinandeum, inv. nr DM
62 511
9.110 Jacopo Strada, drawing of an antique female marble statue now in
Munich (here shown in reverse); from his Statuarum antiquarum;
ÖNB-HS, Cod. min. 21,1, f. 151r 511
10.1 Domenico dell’Allio (?), courtyard of the Landhaus in Graz (ca
1560–1562); image Wikimedia/ Andrew Bossi (CC BY-SA 2.5) 514
10.2 The courtyard of the Landhaus in Graz: detail of the elevation; detail
of Fig. 10.1 516
10.3 The courtyard of the Stallburg, Vienna: detail of the elevation; detail of
Fig. 6.29, image Wikimedia/ SchiDD (CC BY-SA 4.0) 516
10.4 The Amalienburg, built as a residence for Archduke Ernest in the
Hofburg at Vienna, detail of a print depicting the execution of Georg
Paradeiser, 1601; image from KÜHNEL 1971, p. 48 518
10.5 Samuel van Hoogstraten, View of the Amalienburg, Vienna, 1652;
KHM, Gemäldegalerie, inv. nr GG-1752 520
10.6 Cypriano Biasino (?), Schloss Dürnstein, 1630; image Wikimedia/ Cle-
mens PFEIFFER, Wien (CC BY 3.0) 520
10.7 Anonymous, portrait of Vilém z Rožmberka, ca 1589; Český Krumlov,
Castle; image Wikimedia/ Ondraness/pd 522
10.8–10.9 Strada’s edition of Sebastiano Serlio’s Settimo Libro, Frankfurt 1575,
title page and dedication to Vilém z Rožmberka; SLUB, sig. Archit 217;
images SLUB-DS (CC BY-SA 4.0) 522
10.10 The Rožmberk palace on Caste Hill in Prague, restructured ca 1554–
1574, reconstruction drawing by Michael Brix; image from PREISS
1986, p.
35 523
10.11 Jindřich de Veerle, view of Kratochvíle, built for Vilém z Rožmberka
1583–1589 by Baldassare Maggi, detail; image Národní Památkový
Ústav, www.npu.cz (consulted 26.01.2018) 523
10.12–10.13 The castle at Bučovice: west- or garden façade and courtyard; images
Wikimedia/ Doronenko (CC BY-SA 4.0) 524
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038