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Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2
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1019Illustrations 10.14 Bučovice, the Chamber of the Birds; image SZB    525 10.15 Bučovice, the Chamber of Venus; image SZB    525 10.16 Bučovice, a detail of the decoration of the Chamber of the Hares; image SZB    525 10.17 Bučovice, overview of the Imperial Chamber; image SZB    526 10.18 Bučovice, view of the Imperial Chamber, showing one of the Emperors’ busts over the window; image SZB    526 10.19 Bučovice, Imperial Chamber: Charles V vanquishing the Turks; image SZB    526 10.20 Bučovice, Imperial Chamber: the portal with the coat of arms of Jan Šembera Černohorský z Boskovic; image SZB    526 10.21 Reconstruction of the original appearance of Bučovice; image from KRČALOVÁ 1969    529 10.22 Sebastiano Serlio, design for a palace for an illustrious prince in the countryside, from the Munich manuscript of the Sesto Libro, BSB-HS, Cod. icon. 189, f. 26r.; image BSB-HS    529 10.23 Sebastiano Serlio, design for a palace for an illustrious prince in the countryside, detail from Fig. 10.22    529 10.24 Johannes Sadeler, Christoph von Teuffenbach; engraving after a lost portrait by Hans von Aachen, 1595    532 10.25 Plan of the house built ca 1565–1570 in Vienna for Christoph von Teuffenbach; image from BUCHINGER/MITCHELL/SCHÖN 2006, p. 6    532 10.26 Plan for a house on an irregular site, from Serlio’s Settimo Libro, 1575, project XVI, p. 177; image SLUB-DS (CC-BY-SA 4.0)    532 12.27 Drnholec, the castle built ca 1583–1587 for Christoph von Teuffenbach, restructured in the late eighteenth century, from an old postcard; im- age Klub vojenské historie Litobratřice    532 10.28 Drnholec, a detail of one of its stucco ceilings; image Klub vojenské historie Litobratřice    532 10.29–10.30 Serlio’s project for a fortified palace for a ‘principe tiranno’, details showing the elevation and the ground plan, from the Munich manu- script of the Sesto Libro; BSB-HS, Cod. icon. 189, f. 29r    533 10.31–10.32 Drnholec, the entrance gate to the castle built for Christoph von Teuffenbach, and detail; images author    533 1o.33 Anonymous, Reichard Strein von Schwarzenau, from the portraitbook of Hieronymus Beck; Wien, KHM, Gemäldegalerie; image Wikimedia/ pd    535 10.34 Reichard Strein von Schwarzenau’s De gentibus familiis Romanorum, printed by Paulus Manutius in 1571, titlepage, BSB, sig. Ant. 479 t; im- age BSB-MDZ    535
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Volume 2
Title
Jacopo Strada and Cultural Patronage at the Imperial Court
Subtitle
The Antique as Innovation
Volume
2
Author
Dirk Jacob Jansen
Publisher
Brill
Location
Leiden
Date
2019
Language
English
License
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Size
15.8 x 24.1 cm
Pages
542
Categories
Biographien
Kunst und Kultur

Table of contents

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
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