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1019Illustrations
10.14 Bučovice, the Chamber of the Birds; image SZB 525
10.15 Bučovice, the Chamber of Venus; image SZB 525
10.16 Bučovice, a detail of the decoration of the Chamber of the Hares; image
SZB 525
10.17 Bučovice, overview of the Imperial Chamber; image SZB 526
10.18 Bučovice, view of the Imperial Chamber, showing one of the Emperors’
busts over the window; image SZB 526
10.19 Bučovice, Imperial Chamber: Charles V vanquishing the Turks; image
SZB 526
10.20 Bučovice, Imperial Chamber: the portal with the coat of arms of Jan
Šembera Černohorský z Boskovic; image SZB 526
10.21 Reconstruction of the original appearance of Bučovice; image from
KRČALOVÁ 1969 529
10.22 Sebastiano Serlio, design for a palace for an illustrious prince in the
countryside, from the Munich manuscript of the Sesto Libro, BSB-HS,
Cod. icon. 189, f. 26r.; image BSB-HS 529
10.23 Sebastiano Serlio, design for a palace for an illustrious prince in the
countryside, detail from Fig. 10.22 529
10.24 Johannes Sadeler, Christoph von Teuffenbach; engraving after a lost
portrait by Hans von Aachen, 1595
532
10.25 Plan of the house built ca 1565–1570 in Vienna for Christoph von
Teuffenbach; image from BUCHINGER/MITCHELL/SCHÖN
2006, p. 6 532
10.26 Plan for a house on an irregular site, from Serlio’s Settimo Libro, 1575,
project XVI, p. 177; image SLUB-DS (CC-BY-SA 4.0) 532
12.27 Drnholec, the castle built ca 1583–1587 for Christoph von Teuffenbach,
restructured in the late eighteenth century, from an old postcard; im-
age Klub vojenské historie Litobratřice 532
10.28 Drnholec, a detail of one of its stucco ceilings; image Klub vojenské
historie Litobratřice 532
10.29–10.30 Serlio’s project for a fortified palace for a ‘principe tiranno’, details
showing the elevation and the ground plan, from the Munich manu-
script of the Sesto Libro; BSB-HS, Cod. icon. 189, f. 29r 533
10.31–10.32 Drnholec, the entrance gate to the castle built for Christoph von
Teuffenbach, and detail; images author 533
1o.33 Anonymous, Reichard Strein von Schwarzenau, from the portraitbook
of Hieronymus Beck; Wien, KHM, Gemäldegalerie; image Wikimedia/
pd
535
10.34 Reichard Strein von Schwarzenau’s De gentibus familiis Romanorum,
printed by Paulus Manutius in 1571, titlepage, BSB, sig. Ant. 479 t; im-
age BSB-MDZ 535
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038