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1021Illustrations
11.3 Lucas Cranach the Younger, portrait of Elector August of Saxony; KHM,
Gemäldegalerie, inv. nr GG-3252    547
11.4 Anonymous, Portrait of Johann-Wilhelm, Duke of Saxe-Weimar,
location unknown; image Wikimedia/pd    547
11.5–11.9 Ottavio Strada’s Stammbuch: title page (= Aesopi Phrygis Fabulae,
1566); Ottavio’s own autograph entry (opp. p. 9) and those of three
bishops, of the Marquis of Finale (opp. p. 51) and of Sir Philip Sidney
(opp. p. 101); NLP, sig. Ms. 5 J 38    551
11.10 Anonymous, Portrait of Sir Philip Sidney, ca 1576; © National Portrait
Gallery, London    552
11.11 Martino Rota, portrait of Ottavio Strada, 1574, engraving; RCT /
Windsor, Royal Library; image © Her Majesty Queen Elizabeth II
2017    552
11.12 Anonymous, portrait of Juraj Drašković, Archbishop of Kalocsa and
Chancellor of Hungary, who lived in Strada’s house; image Archdiocese
of Zagreb    553
11.13 Caspar van der Borcht (?), portrait of Wilhelm IV, Landgrave of
Hessen-Kassel, 1577, Kassel, Astronomisch-Physikalisches Kabinett;
image Wikimedia/pd    553
11.14 Dominicus Custos, portrait of Lazarus von Schwendi, engraving from
Custos’ Atrium heroicum Caesarum, Augsburg 1600–1601, vol. 1; image
Wikimedia/pd    553
11.15 Battista Naldini (?), drawing of an antique Roman female statue now
in the Palazzo Pitti in Florence, copy after Giovanni Antonio Dosio, in
an album that belonged to Jacopo Dani; Florence, Biblioteca Nazionale
Centrale, sig. N.A. 1159, f. 64b; image from CASAMASSIMA/ RUBIN-
STEIN 1993, p. 228, Fig. 64 a    558
11.16 Workshop of Jacopo Strada, drawing of an antique Roman female
statue, the statue now in the Palazzo Pitti in Florence; ÖNB-HS, Cod.
min, 21,2, f. 83r    558
11.17 The owner’s mark in Jacopo Dani’s copy of Strada’s Epitome Thesauri
Antiquitatum, Lyon 1553; image Antiquariat Wolfgang Braecklein,
Berlin    558
11.18 Frans Pourbus the Elder, portrait of Hubert Languet, 1580; Manchester,
Manchester Art Galleries, acc. nr 950.298; image MAG/UK/Bridgeman
Images 
  561
11.19 Anonymous, Giovan Bernardino Bonifacio, Marquis of Oria, on his
deathbed; Gdánsk, Library of the Polish Academy of Sciences; image
Wikimedia/pd    561
11.20 Lodovico Castelvetro’s Italian translation of Aristotle’s Poetica, Vienna
1570, titlepage, BSB, inv. nr 4 A.gr.b. 244 
  561
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038