Page - 1022 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2
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1022 Illustrations
11.21 Rembertus Dodonaeus; woodcut portrait from his Cruydeboeck, Ant-
werp 1554; image Wikimedia/pd    563
11.22 Samuel Fries, Hugo Blotius, portrait medal, ca 1593; ÖNB-BA, inv. nr
460.713-B    563
11.23 Hendrick Goltzius, portrait of Christophe Plantin; engraving; ARM, inv.
nr RP-P-1884-A-7748    563
11.24–11.29 Theodor de Bry, portraits of illustrious men: engravings from BOIS-
SARD 1597–1599, Vienna University Library, inv. nrs. i-231.994 A (1-4):
Joannes Crato (3, 1598, p. 170); Carolus Clusius (2, 1598, p. 20); Philippe
de Monte (3, 1598, p. 318); Ioannes Sambucus (3, 1598, p. 76) ; François
Hotman (3, 1598, p. 140); images Phaidra 
  564
11.30 Paulus Melissus (2, 1598, p. 86); image Phaidra    565
11.31–11.32 Paulus Melissus, Schediasmata poetica, Paris 1586, title page and p. 293,
encomium on Jacopo Strada; image CAMENA, Database Corpus Au-
tomatum Multiplex Electorum Neolatinitatis Auctorum—Latin Texts
of Early Modern Europe, inv. nr Sch 071/169    565
11.33–11.34 Alonso Sánchez-Coello, portraits of Archdukes Rudolf and Ernest,
1567, RCT; image © Her Majesty Queen Elizabeth II 2017    573
11.35 Adam von Dietrichstein; anonymous engraving; image Wikimedia/
pd    573
11.36–11.39 Anonymous, frontispiece and drawings from a sixteenth-century
numismatic album, possibly after drawings by Jacopo Strada; Real Bib-
lioteca del Monasterio de San Lorenzo de El Escorial, Códices Latinos
h.I.4. l, ff. 1r., 2r., 9v. and 10r    574
12.1 The Diana of Ephesus acquired by Strada for the Munich Antiquarium
and still in situ; image BVS    587
12.2 Workshop of Jacopo Strada, Diana of Ephesus, drawing after the statue
now in the Munich Antiquarium, from his ms. Statuarum antiquarum;
ÖNB-HS, Cod. min. 21,1, f. 139r    587
12.3 The Cybele, acquired by Strada for the Munich Antiquarium (as Asia)
and still in situ; image BVS    587
12.4 Workshop of Jacopo Strada, Cybele, drawing after the statue now in the
Munich Antiquarium, from his ms. Statuarum antiquarum; ÖNB-HS,
Cod. min. 21,1, f. 34r    587
12.5 Jacopo Strada or workshop, drawing of (restored) antique portrait
heads, from his miscellaneous materials; ÖNB-HS, Cod. Min. 21,3,
f. 65v    589
12.6–12.7 A marble bust originally made to present an antique portrait
head, Vienna, Schlosspark Schönbrunn, Römische Ruine; images
author    589
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038