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12.29 (Workshop of) Giulio Romano, Nero playing the fiddle while Rome is
burning, painting from the Camerino dei Cesari in the Palazzo Ducale
in Mantua; Hampton Court, RCIN 402576; image RCT © Her Majesty
Queen Elizabeth II 2017    612
12.30 (Workshop of) Giulio Romano, The Omen of Claudius, painting from
the Camerino dei Cesari in the Palazzo Ducale in Mantua, Hampton
Court, RCIN 402806; image RCT / © Her Majesty Queen Elizabeth II
2017    612
12.31 (Workshop of) Giulio Romano, An Emperor on Horseback, painting
from the Camerino dei Cesari in the Palazzo Ducale in Mantua, Hamp-
ton Court, RCIN 404729; image RCT © Her Majesty Queen Elizabeth II
2017    612
12.32 (Workshop of) Giulio Romano, An Emperor on Horseback, paint-
ing from the Camerino dei Cesari in the Palazzo Ducale in Mantua,
Hampton Court, RCIN 404730; image RCT © Her Majesty Queen Eliza-
beth II 2017 
  612
12.33 Paolo Veronese, Wisdom and Strength and The Choice between Virtue
and Vice; image © Frick Collection    616
12.34 Paolo Veronese, The Choice between Virtue and Vice; New York, Frick
Collection, image © Frick Collection    616
12.35–12.36 Heading and a detail of the list of ‘Lustigen Tiecher’; BHStA-LA, sig.
4853, ff. 15–16    617
12.37 Jacopo da Ponte (Bassano): The animals entering Noah’s Ark, ca
1570; 207 x 265 cm, MdP, inv. nr P00022; image © MdP/Photographic
Archive    622
12.38 Jacopo da Ponte (Bassano): The Israelites drinking the miraculous
water, 1566–1568; 146 x 230 cm, MdP, inv. nr P06312; image © MdP/Pho-
tographic Archive    622
12.39 Jacopo Tintoretto, Susanna and the Elders; KHM, Gemäldegalerie, inv.
nr GG-1530    623
12.40 Titian, Vanitas, ca 1515; canvas, 97 x 81,2 cm, APM, inv. nr 483; image
bpk | BStGS    623
12.41 Salome with the head of St John the Baptist, ca 1515; canvas, 89,5 x 73
cm, Rome, Galleria Doria-Pamphilj, FC 517; image Wikimedia/WGA/
pd    623
12.42 Attributed to Giorgione, St Sebastian with an arrow; KHM, Gemäldegal-
erie, inv. nr GG-323; image KHM    623
12.43 Giorgione, Il tramonto, ca 1506–1510; canvas, 73,3 x 91,4; London,
National Gallery, inv. nr NG6307; image Wikimedia/ The Yorck
Project    625
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038