Page - 1025 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2
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1025Illustrations
12.44 Niccolò Frangipane, Satire on the performance of a madrigal; Collec-
tion Comte François de Liedekerke, Château de Leefdael (Belgium);
image from MEIJER 1972–1973, p. 102, Fig. 7 
  625
12.45 Flaminio Boulanger, the Stipo Farnese, 1578–1579; Ecouen, Musée
National de la Renaissance, inv. nr ML 125; image © RMN-Grand Palais
/ Gérard Blot    626
12.46 Anonymous, drawing of a monumental cabinet, ca 1560–1570; MET,
Scholz Scrapbook, acc. nr 49.19.39/ f. 298a-r    626
12.47–12.48 Andrea Briosco, detto Il Riccio, bronze statuettes of a Satyress and a
Satyr; MET, Gift of Irwin Untermeyer, 1964, acc. nrs. 64.101.1415 and
64.101.1416    627
12.49 Michelangelo, Young Slave, wax sketch model for an element of the
tomb of Pope Julius II, ca 1516–1519; London, Victoria and Albert Mu-
seum, inv. nr 4117–1854    627
12.50 Jacopo Sansovino, Neptune, 1567, marble, courtyard of the
Palazzo Ducale in Venice; image Wikimedia/ Abxbay (CC BY-SA
3.0)    627
13.1 Sebastian Münster, Cosmographiae universalis Libri vi. Title page of
the Latin edition, Basel (Petri) 1552; Lisbon, Biblioteca Nacional de
Portugal / Biblioteca Nacional Digital, inv. nr Res-2094-a 
  630
13.2 Sebastian Münster, view of Vienna, from MÜNSTER 1550,
pp. dccccxxxiiii–dccccxxxv    630
13.3 Albrecht Dürer: Melencolia I and Knight, Death and Devil, engraving;
ARM, inv. nr RP-P-08-1269    642
13.4 Albrecht Dürer: Knight, Death and Devil, engraving; ARM, inv. nr
RP-P-1926-1046    642
13.5 Albrecht Dürer, The Triumphal Arch of the Emperor Maximilian i, a
copy of the series of woodcuts mounted as intended; NGA, acc. nr
1991.200.1 (open access) 
  642
13.6 Albrecht Dürer, The double marriage arrangement contracted by
Maximilian I for his grandchildren Ferdinand and Maria with Anna and
Louis II, children of Vladislaus II of Hungary and Bohemia, woodcut
from the Triumphal Arch; ARM, inv. nr RP-P-OB-1483    642
13.7 Enea Vico, Lamentation, engraving after a design by Raphael, 1548;
ARM, inv. nr RP-P-H-758    642
13.8 Marcantonio Raimondi, Nude soldiers, engraving after a print by Lucas
van Leyden of a detail of Michelangelo’s Battle of Cascina, 1510; ARM,
inv. nr RP-P-H-B-23    642
13.9 Parmigianino, Entombment, etching, 1503–1540; ARM, inv. nr
RP-P-OB-12.228    642
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038