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Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2
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1025Illustrations 12.44 Niccolò Frangipane, Satire on the performance of a madrigal; Collec- tion Comte François de Liedekerke, Château de Leefdael (Belgium); image from MEIJER 1972–1973, p. 102, Fig. 7    625 12.45 Flaminio Boulanger, the Stipo Farnese, 1578–1579; Ecouen, Musée National de la Renaissance, inv. nr ML 125; image © RMN-Grand Palais / Gérard Blot    626 12.46 Anonymous, drawing of a monumental cabinet, ca 1560–1570; MET, Scholz Scrapbook, acc. nr 49.19.39/ f. 298a-r    626 12.47–12.48 Andrea Briosco, detto Il Riccio, bronze statuettes of a Satyress and a Satyr; MET, Gift of Irwin Untermeyer, 1964, acc. nrs. 64.101.1415 and 64.101.1416    627 12.49 Michelangelo, Young Slave, wax sketch model for an element of the tomb of Pope Julius II, ca 1516–1519; London, Victoria and Albert Mu- seum, inv. nr 4117–1854    627 12.50 Jacopo Sansovino, Neptune, 1567, marble, courtyard of the Palazzo Ducale in Venice; image Wikimedia/ Abxbay (CC BY-SA 3.0)    627 13.1 Sebastian Münster, Cosmographiae universalis Libri vi. Title page of the Latin edition, Basel (Petri) 1552; Lisbon, Biblioteca Nacional de Portugal / Biblioteca Nacional Digital, inv. nr Res-2094-a    630 13.2 Sebastian Münster, view of Vienna, from MÜNSTER 1550, pp. dccccxxxiiii–dccccxxxv    630 13.3 Albrecht Dürer: Melencolia I and Knight, Death and Devil, engraving; ARM, inv. nr RP-P-08-1269    642 13.4 Albrecht Dürer: Knight, Death and Devil, engraving; ARM, inv. nr RP-P-1926-1046    642 13.5 Albrecht Dürer, The Triumphal Arch of the Emperor Maximilian i, a copy of the series of woodcuts mounted as intended; NGA, acc. nr 1991.200.1 (open access)    642 13.6 Albrecht Dürer, The double marriage arrangement contracted by Maximilian I for his grandchildren Ferdinand and Maria with Anna and Louis II, children of Vladislaus II of Hungary and Bohemia, woodcut from the Triumphal Arch; ARM, inv. nr RP-P-OB-1483    642 13.7 Enea Vico, Lamentation, engraving after a design by Raphael, 1548; ARM, inv. nr RP-P-H-758    642 13.8 Marcantonio Raimondi, Nude soldiers, engraving after a print by Lucas van Leyden of a detail of Michelangelo’s Battle of Cascina, 1510; ARM, inv. nr RP-P-H-B-23    642 13.9 Parmigianino, Entombment, etching, 1503–1540; ARM, inv. nr RP-P-OB-12.228    642
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Volume 2
Title
Jacopo Strada and Cultural Patronage at the Imperial Court
Subtitle
The Antique as Innovation
Volume
2
Author
Dirk Jacob Jansen
Publisher
Brill
Location
Leiden
Date
2019
Language
English
License
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Size
15.8 x 24.1 cm
Pages
542
Categories
Biographien
Kunst und Kultur

Table of contents

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
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