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1027Illustrations
13.30 Anonymous, reconstruction of an ancient Roman building; Codex
Chlumczansky, f., 87r.; image NMP    656
13.31 Anonymous, frontal view of the Pantheon in Rome, Codex Chlumc-
zansky, f. 70v.; image NMP 
  656
13.32 Anonymous, drawings of a detail of the front elevation and of the
ground plan of the Basilica Aemilia in the Forum Romanum, sur-
rounded by later additions (vase designs after Giulio Romano, a repre-
sentation of the Vitruvian figure and a study of a Ionic capital), Codex
Chlumczansky, f. 85r.; image NMP 
  656
13.33 Anonymous, copies of several plans for centralized buildings, some
after projects of Giulio Romano; Codex Chlumczansky, f. 1v.; image
NMP    657
13.34 Giulio Romano (?), a ground plan for a villa of the Poggio Reale type,
Codex Chlumczansky, f. 2r.; image NMP    657
13.35–13.36 After Giulio Romano (?), two versions of a ground plan for a central-
ized church, possibly copies after studies by Giulio Romano for the
Chapel of the Holy Sacrament in Mantua Cathedral, Codex Chlumc-
zansky, f. 62v.; image NMP    657
13.37 Giulio Romano or workshop, study for the east façade of the
courtyard of the Palazzo del Te, Codex Chlumczansky, f. 2v.; image
NMP    657
13.38 Anonymous, design for a fountain; Codex Chlumczansky, f. 3v.; image
NMP    658
13.39 Anonymous, documentary drawing of the tomb of Petrarch at ArquÃ
Petrarca and its inscriptions, Codex Chlumczansky, f. 5r.; image
NMP    658
13.40 Top: transcription of a classical inscription; transcription of the
epitaph for the tomb of Baldassare Castiglione in Santa Maria delle
Grazie near Mantua, Codex Chlumczansky, f. 12v.; image NMP    658
13.41 Workshop of Jacopo Strada: helmet in the Greek manner, from his
Galearum antiquarum, ÖNB-HS, Cod min. 21,1, f. 35/33r    660
13.42 Workshop of Jacopo Strada (?), design for a helmet in the Greek man-
ner, drawing in pen and ink; private collection    660
13.43–13.46 Workshop of Jacopo Strada, documentary drawings of antique sculp-
ture, from Strada’s Antiquarum Statuarum; ÖNB-HS, Cod min. 21,2, ff.
204/97r., 207/100r., 250/142r. and 192/86r.; images author    661
13.47 Attributed to Francesco Primaticcio (?), drawing of three antique
statued in Rome that served as a model for Strada’s Antiquarum
Statuarum, Paris, Musée du Louvre, Cabinet de Dessins, inv. nr 22.652;
image © RMN-Grand Palais / Martine Beck-Coppola    662
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038