Web-Books
in the Austria-Forum
Austria-Forum
Web-Books
Biographien
Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2
Page - 1027 -
  • User
  • Version
    • full version
    • text only version
  • Language
    • Deutsch - German
    • English

Page - 1027 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2

Image of the Page - 1027 -

Image of the Page - 1027 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2

Text of the Page - 1027 -

1027Illustrations 13.30 Anonymous, reconstruction of an ancient Roman building; Codex Chlumczansky, f., 87r.; image NMP    656 13.31 Anonymous, frontal view of the Pantheon in Rome, Codex Chlumc- zansky, f. 70v.; image NMP    656 13.32 Anonymous, drawings of a detail of the front elevation and of the ground plan of the Basilica Aemilia in the Forum Romanum, sur- rounded by later additions (vase designs after Giulio Romano, a repre- sentation of the Vitruvian figure and a study of a Ionic capital), Codex Chlumczansky, f. 85r.; image NMP    656 13.33 Anonymous, copies of several plans for centralized buildings, some after projects of Giulio Romano; Codex Chlumczansky, f. 1v.; image NMP    657 13.34 Giulio Romano (?), a ground plan for a villa of the Poggio Reale type, Codex Chlumczansky, f. 2r.; image NMP    657 13.35–13.36 After Giulio Romano (?), two versions of a ground plan for a central- ized church, possibly copies after studies by Giulio Romano for the Chapel of the Holy Sacrament in Mantua Cathedral, Codex Chlumc- zansky, f. 62v.; image NMP    657 13.37 Giulio Romano or workshop, study for the east façade of the courtyard of the Palazzo del Te, Codex Chlumczansky, f. 2v.; image NMP    657 13.38 Anonymous, design for a fountain; Codex Chlumczansky, f. 3v.; image NMP    658 13.39 Anonymous, documentary drawing of the tomb of Petrarch at Arquà Petrarca and its inscriptions, Codex Chlumczansky, f. 5r.; image NMP    658 13.40 Top: transcription of a classical inscription; transcription of the epitaph for the tomb of Baldassare Castiglione in Santa Maria delle Grazie near Mantua, Codex Chlumczansky, f. 12v.; image NMP    658 13.41 Workshop of Jacopo Strada: helmet in the Greek manner, from his Galearum antiquarum, ÖNB-HS, Cod min. 21,1, f. 35/33r    660 13.42 Workshop of Jacopo Strada (?), design for a helmet in the Greek man- ner, drawing in pen and ink; private collection    660 13.43–13.46 Workshop of Jacopo Strada, documentary drawings of antique sculp- ture, from Strada’s Antiquarum Statuarum; ÖNB-HS, Cod min. 21,2, ff. 204/97r., 207/100r., 250/142r. and 192/86r.; images author    661 13.47 Attributed to Francesco Primaticcio (?), drawing of three antique statued in Rome that served as a model for Strada’s Antiquarum Statuarum, Paris, Musée du Louvre, Cabinet de Dessins, inv. nr 22.652; image © RMN-Grand Palais / Martine Beck-Coppola    662
back to the  book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Volume 2
Title
Jacopo Strada and Cultural Patronage at the Imperial Court
Subtitle
The Antique as Innovation
Volume
2
Author
Dirk Jacob Jansen
Publisher
Brill
Location
Leiden
Date
2019
Language
English
License
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Size
15.8 x 24.1 cm
Pages
542
Categories
Biographien
Kunst und Kultur

Table of contents

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
Web-Books
Library
Privacy
Imprint
Austria-Forum
Austria-Forum
Web-Books
Jacopo Strada and Cultural Patronage at the Imperial Court