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1028 Illustrations
13.48 Attributed to Francesco Primaticcio (?), drawing of an antique statue
in Rome that served as a model for Strada’s Antiquarum Statuarum,
Paris, Musée du Louvre, Cabinet de Dessins, inv. nr 22.634r; © RMN-
Grand Palais / Martine Beck-Coppola    662
13.49 Strada circle, Design for an octagonal platter or perhaps a ceiling;
drawing in pen and wash from the Sorokko Album, present location
unknown; image from LAWRENCE 2007, cat. nr 29    663
13.50 Strada circle, Design for an ornate covered vase with handle, drawing
in pen and wash from the Sorokko Album, present location unknown;
image from LAWRENCE 2007, cat. nr 37    663
13.51 Francesco Primaticcio, after Giulio Romano, Detail of The Battle Order
of Caesar, double frieze in the Camera degli Stucchi, Palazzo del Te,
Mantua; image SPCM    665
13.52 Giulio Romano, design for a section of the double frieze in the Camera
degli Stucchi; Paris, Musée du Louvre, Cabinet des dessins, inv. nr
3554r; image © RMN-Grand Palais / Thierry Le Mage    665
13.53 Francesco Primaticcio, after Giulio Romano, The Baptism of the Early
Christians, central panel of the coffered ceiling of the Camera degli
Stucchi, Palazzo del Te, Mantua; image SPCM    666
13.54 Workshop of Jacopo Strada, copy of Giulio’s design for The Baptism of
the Early Christians; ÖNB-HS, Cod. min. 21,3, f. 289/6r    666
13.55 Workshop of Jacopo Strada, Apollo and Pan, copy of a design by Giulio
Romano for a compartment of the ceiling of the Camera degli Stucchi,
Palazzo del Te; ÖNB-HS, Cod. min. 21,3, f. 8    667
13.56 Giulio Romano or workshop, Apollo and Pan, design for a compart-
ment of the ceiling of the Camera degli Stucchi, Palazzo del Te; Wind-
sor, Royal Library, sig. RL o 0495; image RCT © Her Majesty Queen
Elizabeth II 2017 
  667
13.57 Workshop of Jacopo Strada, Caritas Romana, copy of a design by
Giulio Romano for a compartment of the ceiling of the Camera degli
Stucchi, Palazzo del Te; ÖNB-HS, Cod. min. 21,3, f. 285/2r    668
13.58 Giulio Romano or workshop, Caritas Romana, design for a com-
partment of the ceiling of the Camera degli Stucchi, Palazzo del Te;
Chantilly, Musée Condé, inv. nr DE 73; image © RMN-Grand Palais /
Michel Urtado 
  668
13.59 Workshop of Jacopo Strada, copy after a drawing by Giulio Romano or
his circle for a stucco relief incorporating an antique marble Venus in
the Galleria dei Marmi in the Palazzo Ducale, Mantua; ÖNB-HS, Cod.
min. 21,3, f. 305/22r    669
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038