Page - 1030 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2
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1030 Illustrations
13.83 Sebastiano Serlio, The Arch of the Sergii at Pula, woodcut from
his Terzo Libro, Venice 1544, p. CXXVII; image HHB-D (CC
BY-SA 3.0)    681
13.84–13.85 Attributed to Jacopo Strada, The Arch of the Sergii at Pula, pen and
wash; Rome, Biblioteca Apostolica Vaticana, Cod. Rossi 618, f. 32r., and
detail of the inscription on this sheet, which appears to be in Strada’s
hand; images © BAV    682
13.86 Attributed to Raffaele da Montelupo, The Arch of the Sergii at Pula,
Lille, Musée Wicar, so-called Michelangelo Sketchbook, nr 772; image
© RMN-Grand Palais / Stéphane Maréchalle 
  682
13.87–13.88 Anonymous, rotulus documenting the entire frieze of Trajan’s Column:
two sacrificial scenes, Sections 74–75 and 77; drawing in pen, ink and
wash, mid-sixteenth century; private collection, France; images from
ARASSE 1984, front and back cover    685
13.89–13.90 Anonymous, documentary drawings of the frieze of the Column
of Trajan, from the ms. formerly in the Kunstkammer of Arch-
duke Ferdinand II of Tirol at Ambras Castle; ÖNB-HS, Ms. 9410, ff.
43v–44r    686
13.91 Attributed to Battista Franco, A chariot drawn by oxen, detail of a set
of drawings pasted together as a rotulus documenting the Column of
Theodosius in Constantinople; Musée du Louvre, Cabinet de Des-
sins, inv. nr 4951, detail 4; image © RMN-Grand Palais / Jean-Gilles
Berizzi    687
13.92 Attributed to Battista Franco, Horsemen passing under a triumphal
arch, detail of a set of drawings pasted together as a rotulus document-
ing the Column of Theodosius in Constantinople; Musée du Louvre,
Cabinet de Dessins, inv. nr 4951, detail 13; image © RMN-Grand Palais /
Jean-Gilles Berizzi    687
13.93–13.95 Anonymous, possibly commissioned by Jacopo Strada (?): documen-
tary drawings of the west, south and east faces of the Column of
Arcadius in Constantinople, 1560–1580, from the Freshfield Album,
Cambridge, Trinity College Library, sig. ms. 0.17.2    690
13.96–13.97 Details from 13.93: the base of the column, west face, and the capital
and the upper section of the shaft, east face    690
13.98 Workshop of Jacopo Strada, documentary drawing of an unidenti-
fied mosaic or mural of Christ Pantocrator; ÖNB-HS, Cod. min. 21,3,
f. 29/312    691
13.99–13.100 Raphael and workshop: the Loggia in the Palazzo Vaticano, Rome,
general view and detail of the ceiling; image Wikimedia/ White
House; photograph by Andrea Hanks, US Federal Government/
pd    694
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038