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Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2
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1031Illustrations 13.101 Raphael and workshop: the Loggia in the Palazzo Vaticano, Rome: ceil- ing of one of the bays; image Wikimedia/ WGA (PD)    694 13.102–13.106 Giovanni Battista Armenini and others, some of the illuminated draw- ings from a set documenting the entire Vatican Loggia, commissioned by Jacopo Strada; ÖNB-HS, Cod. min. 33, ff. 10, 9, 50, 11, 24    695 13.107 Giovani Battista Armenini and others, The Animals leave the Ark of Noah, detail of Fig. 13.106    699 13.108 Here attributed to Giovanni Battista Armenini and others, documenta- ry drawing of the façade of the Palazzo Gaddi in Rome, documenting Polidoro da Caravaggio’s celebrated fresco decoration; Albertina, inv. nr 15462    700 13.109 Ippolito Andreasi, documentary drawings of the three exterior façades of the Palazzo del Te, commissioned by Jacopo Strada; SMKP, inv. nr F.P. 10920, F.P. 10921, and F.P. 10922; images SMKP-Horst Kolberg/ARTOTHEK    702 13.110 Ippolito Andreasi (?) and Jacopo Strada, after Giulio Romano, ground plan of the Palazzo del Te, Mantua; commissioned by Jacopo Strada; SMKP, inv. nr F.P. 10937, image SMKP/ARTOTHEK    704 13.111 Ground plan of the Palazzo del Te, detail: the garden wing with the Loggia di Davide and adjacent chambers; detail of ill. 13.110    704 13.112 Ippolito Andreasi, documentation of the Palazzo del Te, Mantova: Camera di Psiche, ceiling, commissioned by Jacopo Strada; SMKP, inv. nr F.P. 10903, image SMKP-Horst Kolberg/ARTOTHEK    705 13.113 Ippolito Andreasi, documentation of the Palazzo del Te, Man- tova: Camera degli Stucchi, upper portion of the east wall, com- missioned by Jacopo Strada; SMKP, inv. nr F.P. 10900, image SMKP/ARTOTHEK    705 13.114 Ippolito Andreasi, documentation of the Palazzo Ducale, Mantua: Sala di Troia, west wall, commissioned by Jacopo Strada; SMKP, inv. nr F.P. 10876, image SMKP-Horst Kolberg/ ARTOTHEK    707 13.115–13.117 Ippolito Andreasi, documentation of the Camerino dei Cesari in the Palazzo Ducale, Mantua, commissioned by Jacopo Strada: the chimney wall, Titian’s portrait of Augustus; a wall niche with the image of Paris; all SMKP, inv. nrs. F.P. 10874, F.P. 10933 and F.P. 10882; images Horst Kolberg/ARTOTHEK    708 13.118–119 Anonymous draughtsman, working for Jacopo Strada: perspective view and elevation of Ammannati’s cortile of the Palazzo Pitti, Flor- ence; commissioned by Jacopo Strada; SMKP, inv. nrs F.P. 10889 and F.P. 10924, images Horst Kolberg/ARTOTHEK    709 14.1 Ottavio Strada, drawings of the emblems of Emperor Maximilian II and Empress Maria, in his ms. Symbola Romanorum imperatorum
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Volume 2
Title
Jacopo Strada and Cultural Patronage at the Imperial Court
Subtitle
The Antique as Innovation
Volume
2
Author
Dirk Jacob Jansen
Publisher
Brill
Location
Leiden
Date
2019
Language
English
License
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Size
15.8 x 24.1 cm
Pages
542
Categories
Biographien
Kunst und Kultur

Table of contents

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
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