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1032 Illustrations
occidentalis ac orientalis (1591); BSB-HS, Cod. icon. 425, f. 9r.; image
BSB-MDZ    722
14.2 Ottavio Strada, design for a treadmill for grinding corn, drawing in pen
and ink from Variae ac faciles molendina construendi inventiones, 1593;
BSB-HS, Cod. icon 211, f. 11; image BSB-MDZ    722
14.3–14.4 Title page and dedication to Vilém z Rožmberk of Strada’s edition of
Sebastiano Serlio, Settimo libro d’Architettura, Frankfurt a.M. 1575; im-
age SLUB-DS (CC-BY-SA 4.0)    726
14.5 Martino Rota, portrait of Ottavio Strada at the time he was oversee-
ing the printing of Serlio’s Settimo Libro, engraving; Windsor, Royal
Library; image RCT © Her Majesty Queen Elizabeth II 2017    726
14.6–14.9 Jacopo Strada, Epitome thesauri antiquitatum, Lyon 1553: pages 4–5
(coins and vitae of women related to Julius Caesar) and 328–329, coins
and vitae of Rupert, Elector Palatine and King of the Romans, and Em-
peror Sigismund IV; HUB, sig. B 961 A RES, pp. 4–5 and 328–329; image
HHB-D (CC-BY-SA 3.0 DE)    729
14.10–14.11 Copies after Jacopo Strada, images of Isaac I Komnenus and Constan-
tine X Doukas in Diethelm Keller, Kunstliche und aigendtliche Bildtnus-
sen der rhomischen Keyseren, ihrer Weybern und Kindern, Zurich 1558,
the woodcuts copied from Strada’s Epitome thesauri antiquitatum of
1553; BSB, inv. nr ESlg/Germ. G. 227 g; images BSB-MDZ    731
14.12–14.13 Portrait and short biography of the Emperor Caligula, from Jacopo
Strada, Imperatorum Romanorum omnium orientalium et occidentali-
um verissimae imagines, Zurich 1559, ff. 4r.–v.; Strada’s texts accompany
a reissue of a set of earlier woodcut portraits by Rudolf Wyssenbach,
and ornamental prints by Hans Rudolf Manuel Deutsch the Younger
Peter Flötner; BSB-MDZ, sig. Rar 2056    732
14.14–14.17 Onofrio Panvinio, Fasti et triumphi Romanorum a Romulo Rege usque
ad Carolum V. Caes. Aug., Venice 1557, published by Jacopo Strada; title
page; entries for some of the successors of Constantine I, pp. 104–105,
and for Charlemagne, p. 156; SuStB, sig. 2 Bio 78#(Beibd. 2); images
BSB-MDZ    735
14.18–14.20 Onofrio Panvinio’s Epitome pontificum Romanorum, Venice 1557,
edition published by Jacopo Strada, title page, entry of Pope Leo X,
p. 374: list and coats of arms relevant to the fifth creation of cardinals
of Leo’s pontificate, p. 379; BSB, sig. 2 P.lat. 1245 # Beibd.1; images
BSB-MDZ    737
14.21–14.22 Strada’s edition of Caesar’s Commentaries, printed by Georg Rab in
Frankfurt in 1575: titlepage and dedication to Duke Albrecht V of Ba-
varia; SuStB, sig. 2 LR 16; image BSB-MDZ    744
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038