Page - 1033 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2
Image of the Page - 1033 -
Text of the Page - 1033 -
1033Illustrations
14.23 Pitched battle between the armies of Caesar and Ambiorix; woodcut
illustration from Strada’s 1575 edition of Caesar’s Commentaries, p. 60;
SuStB, sig. 2 LR 16; image BSB-MDZ 
  745
14.24 Bird’s eye view of Caesar’s siege of Alesia, defended by Vercingetorix;
woodcut illustration from Strada’s 1575 edition of Caesar’s Com-
mentaries, double spread at pp. 100–101; SuStB, sig. 2 LR 16; image
BSB-MDZ    745
14.25–14.27 Bird’s eye view of Vesontio (Besançon) (p. 14), A raft carrying a tower
(p. 134) and a View of Alexandria (p. 200); woodcut illustrations from
Strada’s 1575 edition of Caesar’s Commentaries; SuStB, sig. 2 LR 16; im-
ages BSB-MDZ    746
14.28–14.29 Strada’s printer’s marks on the title page and the colophon (p. 166)
of his edition of Caesar’s Commentaries, printed by Georg Rab
(Corvinus) in Frankfurt in 1575; SuStB, sig. 2 LR 16; image
BSB-MDZ 
  757
14.30 Strada’s printer’s mark on the title page of Serlio’s Settimo Libro,
printed by Andreas Wechel, Frankfurt a.M. 1575; SLUB, sig. Archit.217;
image SLUB-DS (CC BY-SA 4.0)    757
14.31 Βιβλιοθήκη τοῦ Φωτίου: Librorum quos legit Photius Patriarcha excerpta
et censura, Augsburg [Johannis Praetorius] 1601, editio princeps edited
by David Höschel, title page, Rome, Biblioteca Angelica; image Google
Books 
  763
14.32 Julius Caesar, woodcut illustration by Hans Rudolf Manuel Deutsch
the Younger (ornamental frame) and Rudolf Wyssenbach (the por-
trait); from Jacopo Strada, Imperatorum Romanorum omnium orienta-
lium et occidentalium verissimae imagines, Zurich (Andreas Gessner),
1559; BSB, sig. Rar 2056; image BSB-MDZ    766
14.33–14.34 The Emperor Diocletian and the Holy Roman Emperor Henry VI, chiar-
oscuro woodcuts from Hubertus Goltzius’ Les images presque de tous
les empereurs depuis C. Julius Caesar jusques a Charles .V. et Ferdi-
nandus son frere, pourtraites au vif, prinses des medailles anciennes…,
Antwerp 1557, fols. lviiir and 137r; images ARM, inv. nrs. BI-2008-4132-
59 and BI-2008-4132-131    766
14.35–14.36 Sebastiano Serlio, reconstruction of the castrametatio of the Roman
army based on Polybius’ description, details showing individual ele-
ments; drawings in pen and wash, BSB-HS, Cod. icon. 190, ff. 29r. and
32v.; image BSB-MDZ    768
14.37–14.39 Lambert de Vos, images from his Kostümbuch, showing costumes and
scenes from life in Ottoman Turkey; drawings in pen and ink and wa-
tercolours, 1574; Bremen, Staats- und Universitätsbibliothek, fols. 24r,
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038