Page - 1034 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2
Image of the Page - 1034 -
Text of the Page - 1034 -
1034 Illustrations
25r and f. 41r 79r.; images SuUB-Digitale Sammlungen: http://brema
.suub.uni-bremen.de/    770
14.40 Rubens, Portrait of Jan i Moretus, ca 1610, Antwerp, Museum Plantin-
Moretus; image Wikimedia/pd    773
14.41 Hendrick Goltzius, Portrait of Christophe Plantin, engraving; ARM, inv.
nr RP-P-1884-A-7748    773
14.42 Portrait of Rembertus Dodonaeus, woodcut from the first edition of
his Cruydeboeck (1554); image Wikimedia/pd    773
14.43–14.44 Elias Hutter, Dictionarium harmonicum biblicum, Nuremberg 1598: title
page and p. 9, BSB, sign. ESlg/4 Polygl. 41; images BSB-MDZ    791
14.45 Novum Testamentum Domini Nostri Iesu Christi, Syriacè, Ebraicè,
Graecè, Latinè, Germanicè, Bohemicè, Italicè, Hispanicè, Gallicè, Anglicè,
Danicè, Polonicè, edited by Elias Hutter, 2 vols, Nuremberg 1599, title
page; SuStB , sign. 2 Th B l 4; image BSB-MDZ    791
14.46 Ottavio Strada, Aller römischer Kayser Leben und Thaten, Frankfurt
a.M. 1618, titlepage; Lausanne, Bibliothèque cantonale et universitaire,
inv. nr ZE 1170    792
14.47–14.48 Ottavio Strada, De Vitis Imperatorum et Caesarum Romanorum, Frank-
furt a.M. 1615, p. 1: opening page of the chapter on Julius Caesar, and p.
504: entry on Emperor Maximilian II; image BSB-MDZ    792
14.49 Jacopo Strada, design for a contraption automatically turning a spit,
drawing in pen, ink and wash in his ms. Variae ac faciles molendinae
construendi inventione, (Codex Clavreuil), private collection; im-
age from CLAVREUIL/CLAVREUIL 2001, cat. nr 37, unnumbered
page    793
14.50–15.51 Jacopo Strada, Kunstliche Abriß, allerhand Wasser- Wind- Roß- und
Handt Mühlen, Frankfurt a.M. 1617; title page and ill. nr 5: design for a
water-driven fulling mill; SLUB, sig. Milit.B.50.m,misc.5; images SLUB-
DS (CC-BY-SA 4.0)    794
14.52 Sketch of the Lac de Sarliève as drained under supervision of Ottavio
Strada the Younger, made in connection with a lawsuit in the late
seventeenth century; image from DIENNE 1891, between pp. 74 and
75    795
14.53–14.54 The small château at the domaine of Sarliève, built for (and designed
by?) Ottavio Strada the Younger, ca 1640–1650; images author    795
15.1 Pirro Ligorio, Il Libro delle Antichità di Roma, nel quale si tratta de’
Circi, Theatri & Anfitheatri, Venice 1553; title page; GRI, call nr
59536    806
15.2 Simon Frisius, Hubertus Goltzius, engraving from Hendrik Hondius,
Pictorum aliquot celebrium praecipué Germaniae Inferioris effigies, Den
Haag, 1610; image ARM, inv. nr RP-P-OB-52.341 
  806
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038