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first visit to Munich, when the Propylœa struck me. The attendant
circumstances of the analysis render it admissible that the influence of this
second group of conceptions caused the displacement of amyl to propyl.
Propyl is, so to say, the mean idea between amyl and propylœa; it got into the
dream as a kind of compromise by simultaneous condensation and
displacement. The need of discovering some motive for this bewildering work
of the dream is even more called for in the case of displacement than in
condensation. Although the work of displacement must be held mainly
responsible if the dream thoughts are not refound or recognized in the dream
content (unless the motive of the changes be guessed), it is another and milder
kind of transformation which will be considered with the dream thoughts
which leads to the discovery of a new but readily understood act of the dream
work. The first dream thoughts which are unravelled by analysis frequently
strike one by their unusual wording. They do not appear to be expressed in the
sober form which our thinking prefers; rather are they expressed symbolically
by allegories and metaphors like the figurative language of the poets. It is not
difficult to find the motives for this degree of constraint in the expression of
dream ideas. The dream content consists chiefly of visual scenes; hence the
dream ideas must, in the first place, be prepared to make use of these forms of
presentation. Conceive that a political leader’s or a barrister’s address had to
be transposed into pantomime, and it will be easy to understand the
transformations to which the dream work is constrained by regard for this
dramatization of the dream content. Around the psychical stuff of dream
thoughts there are ever found reminiscences of impressions, not infrequently
of early childhood—scenes which, as a rule, have been visually grasped.
Whenever possible, this portion of the dream ideas exercises a definite
influence upon the modelling of the dream content; it works like a center of
crystallization, by attracting and rearranging the stuff of the dream thoughts.
The scene of the dream is not infrequently nothing but a modified repetition,
complicated by interpolations of events that have left such an impression; the
dream but very seldom reproduces accurate and unmixed reproductions of
real scenes. The dream content does not, however, consist exclusively of
scenes, but it also includes scattered fragments of visual images,
conversations, and even bits of unchanged thoughts. It will be perhaps to the
point if we instance in the briefest way the means of dramatization which are
at the disposal of the dream work for the repetition of the dream thoughts in
the peculiar language of the dream. The dream thoughts which we learn from
the analysis exhibit themselves as a psychical complex of the most
complicated superstructure. Their parts stand in the most diverse relationship
to each other; they form backgrounds and foregrounds, stipulations,
digressions, illustrations, demonstrations, and protestations. It may be said to
be almost the rule that one train of thought is followed by its contradictory.
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Buch Dream Psychology"
Dream Psychology
- Titel
- Dream Psychology
- Autor
- Sigmund Freud
- Datum
- 1920
- Sprache
- englisch
- Lizenz
- PD
- Abmessungen
- 21.0 x 29.7 cm
- Seiten
- 114
- Schlagwörter
- Neurology, Neurologie, Träume, Psycholgie, Traum
- Kategorien
- Geisteswissenschaften
- International
- Medizin
Inhaltsverzeichnis
- Introduction 4
- Chapter 1: Dreams have a meaning 9
- Chapter 2: The Dream mechanism 20
- Chapter 3: Why the dream diguises the desire 34
- Chapter 4: Dream analysis 43
- Chapter 5: Sex in dreams 54
- Chapter 6: The Wish in dreams 67
- Chapter 7: The Function of the dream 79
- Chapter 8: The Primary and Secondary process - Regression 89
- Chapter 9: The Unconscious and Consciousness - Reality 104