Page - 911 - in The Complete Aristotle

< div id=“section2” class=“section” title=“2”> 2 We can best obtain a scientific view of the nature of the dream and the manner in which it originates by regarding it in the light of the circumstances attending sleep. The objects of sense-perception corresponding to each sensory organ produce sense-perception in us, and the affection due to their operation is present in the organs of sense not only when the perceptions are actualized, but even when they have departed. What happens in these cases may be compared with what happens in the case of projectiles moving in space. For in the case of these the movement continues even when that which set up the movement is no longer in contact [with the things that are moved]. For that which set them in motion moves a certain portion of air, and this, in turn, being moved excites motion in another portion; and so, accordingly, it is in this way that [the bodies], whether in air or in liquids, continue moving, until they come to a standstill. This we must likewise assume to happen in the case of qualitative change; for that part which [for example] has been heated by something hot, heats [in turn] the part next to it, and this propagates the affection continuously onwards until the process has come round to its oint of origination. This must also happen in the organ wherein the exercise of sense-perception takes place, since sense-perception, as realized in actual perceiving, is a mode of qualitative change. This explains why the affection continues in the sensory organs, both in their deeper and in their more superficial parts, not merely while they are actually engaged in perceiving, but even after they have ceased to do so. That they do this, indeed, is obvious in cases where we continue for some time engaged in a particular form of perception, for then, when we shift the scene of our perceptive activity, the previous affection remains; for instance, when we have turned our gaze from sunlight into darkness. For the result of this is that one sees nothing, owing to the excited by the light still subsisting in our eyes. Also, when we have looked steadily for a long while at one colour, e.g. at white or green, that to which we next transfer our gaze appears to be of the same colour. Again if, after having looked at the sun or some other brilliant object, we close the eyes, then, if we watch carefully, it appears in a right line with the direction of vision (whatever this may be), at first in its own colour; then it changes to crimson, next to purple, until it becomes black and disappears. And also when persons turn away from looking at objects in motion, e.g. rivers, and especially those which flow very 911