Page - 2321 - in The Complete Aristotle

Euripides substitutes thoinatai, ‘feasts on,’ for esthiei, ‘feeds on.’ Again, in the line, < div class=“quote”> nun de m’eon oligos te kai outidanos kai aeikes, Yet a small man, worthless and unseemly, the difference will be felt if we substitute the common words, < div class=“quote”> nun de m’eon mikros te kai asthenikos kai aeides. Yet a little fellow, weak and ugly. Or, if for the line, diphron aeikelion katatheis oligen te trapezan, Setting an unseemly couch and a meager table, we read, diphron mochtheron katatheis mikran te trapezan. Setting a wretched couch and a puny table. Or, for eiones booosin, ‘the sea shores roar,’ eiones krazousin, ‘the sea shores screech.’ Again, Ariphrades ridiculed the tragedians for using phrases which no one would employ in ordinary speech: for example, domaton apo, ‘from the house away,’ instead of apo domaton, ‘away from the house;’ sethen, ego de nin, ‘to thee, and I to him;’ Achilleos peri, ‘Achilles about,’ instead of peri Achilleos, ‘about Achilles;’ and the like. It is precisely because such phrases are not part of the current idiom that they give distinction to the style. This, however, he failed to see. It is a great matter to observe propriety in these several modes of expression, as also in compound words, strange (or rare) words, and so forth. But the greatest thing by far is to have a command of metaphor. This alone cannot be imparted by another; it is the mark of genius, for to make good metaphors implies an eye for resemblances. Of the various kinds of words, the compound are best adapted to dithyrambs, rare words to heroic poetry, metaphors to iambic. In heroic poetry, indeed, all these varieties are serviceable. But in iambic verse, which reproduces, as far as may be, familiar speech, the most appropriate words are 2321