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out on 30 June.73 In September of the same year Strada followed this up by a
request for similar letters of recommendation to several Italian princes and
city states which again were duly conceded.74
It is not clear whether this exercise did bring in any serious money. There was
at least some response: thus Ottavio could receive a subvention of 40 Gulden in
aid of his father’s planned book granted by the Nuremberg City Council.75 It ap-
pears that Ottavio was sent to travel around to follow up Maximilian’s request,
and to receive any bounty conceded. The initiative seems to have yielded few
concrete results: Strada’s only known thank-you letter dates only from Septem-
ber 1575, though this relates to a quite substantial amount of 500 Thaler, grant-
ed by the Elector August of Saxony.76 But Strada himself may not have known
which Princes and Imperial cities had responded favourably to Maximilian’s
recommendation, because Ottavio appears to have kept back for himself the
moneys he was delegated to receive on behalf of his father. That, at least, is the
first of his alleged crimes listed in Strada’s will of 1584, which excluded Ottavio
almost entirely from his father’s succession. If true, this would explain why
Strada thanked the Elector August for his bounty only in 1575, when he may
have heard of his gift through other channels (perhaps Hubert Languet or the
Saxon representative at the Imperial court).77 But these allegations, to which
73 Doc. 1573-06-00; Strada also offered to send his own scribe to insert the titles of the pub-
lications into the letters, or to provide many copies of a separate enclosure as were re-
quired. But in a post-script he also asked the Vice Chancellor of the Holy Roman Empire,
Johann Baptist Weber, that the letters should be written with a carefully adjusted pen and
in good ink. The recipients were to be all the Electors, the Archdukes Ferdinand and Karl,
the Prince-Bishops of Salzburg, Würzburg, Bamberg and Passau and the Duke of Bavaria;
and the cities of Augsburg, Ulm, Nuremberg, Regensburg, Frankfurt, Strassburg, Speyer
and Worms. In the definitive version [Doc. 1573-06-30] the list of recipients as given in
Strada’s request was extended to the Prince-Bishop of Freising, the Duke of Jülich, Duke
Julius of Braunschweig, Margrave Georg Friedrich of Brandenburg, and Duke Johann
Friedrich of Pomerania.
74 Doc. 1573-09-00 and 1573-09-30; recipients were the Dukes of Savoy, Ferrara, Mantua, Flor-
ence, Parma and Urbino, and the Senates of the city-states Venice, Lucca, Genoa and Milan.
75 Doc. 1573-11-07; it may well be that Strada’s personal connection with Nuremberg’s pa-
trician families—suchs as Willibal Imhoff—counted as much as Maximilian’s recom-
mendation in obtaining this subvention, which was granted and paid out to Ottavio
Strada only ‘uf sein vaters weiter schreiben’, i.e. after Strada had provided some additional
information.
76 Doc 1575-09-28: ‘Gnedigster Churfurst, ich hab mit groser danksagung die 5oo dhaler em-
phangen, die mir Eur C.F.G. gepresentiert hatt, auf Ir Röm. Kay. May. schreiben zu hulf
meines Dichsionarium’.
77 Doc. 1584-07-01 (Appendix B); Strada claimed that Ottavio had kept the moneys he re-
ceived for himself: ‘Erstlichen, demnach mier durch genedigiste Bewilligung des Römisch
Khaijserlichen Majestäts Maximiliani Secunti ein Anzall commendatorij Briefe, zu Hülff
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038