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Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
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Chapter 14754 out on 30 June.73 In September of the same year Strada followed this up by a request for similar letters of recommendation to several Italian princes and city states which again were duly conceded.74 It is not clear whether this exercise did bring in any serious money. There was at least some response: thus Ottavio could receive a subvention of 40 Gulden in aid of his father’s planned book granted by the Nuremberg City Council.75 It ap- pears that Ottavio was sent to travel around to follow up Maximilian’s request, and to receive any bounty conceded. The initiative seems to have yielded few concrete results: Strada’s only known thank-you letter dates only from Septem- ber 1575, though this relates to a quite substantial amount of 500 Thaler, grant- ed by the Elector August of Saxony.76 But Strada himself may not have known which Princes and Imperial cities had responded favourably to Maximilian’s recommendation, because Ottavio appears to have kept back for himself the moneys he was delegated to receive on behalf of his father. That, at least, is the first of his alleged crimes listed in Strada’s will of 1584, which excluded Ottavio almost entirely from his father’s succession. If true, this would explain why Strada thanked the Elector August for his bounty only in 1575, when he may have heard of his gift through other channels (perhaps Hubert Languet or the Saxon representative at the Imperial court).77 But these allegations, to which 73 Doc. 1573-06-00; Strada also offered to send his own scribe to insert the titles of the pub- lications into the letters, or to provide many copies of a separate enclosure as were re- quired. But in a post-script he also asked the Vice Chancellor of the Holy Roman Empire, Johann Baptist Weber, that the letters should be written with a carefully adjusted pen and in good ink. The recipients were to be all the Electors, the Archdukes Ferdinand and Karl, the Prince-Bishops of Salzburg, Würzburg, Bamberg and Passau and the Duke of Bavaria; and the cities of Augsburg, Ulm, Nuremberg, Regensburg, Frankfurt, Strassburg, Speyer and Worms. In the definitive version [Doc. 1573-06-30] the list of recipients as given in Strada’s request was extended to the Prince-Bishop of Freising, the Duke of Jülich, Duke Julius of Braunschweig, Margrave Georg Friedrich of Brandenburg, and Duke Johann Friedrich of Pomerania. 74 Doc. 1573-09-00 and 1573-09-30; recipients were the Dukes of Savoy, Ferrara, Mantua, Flor- ence, Parma and Urbino, and the Senates of the city-states Venice, Lucca, Genoa and Milan. 75 Doc. 1573-11-07; it may well be that Strada’s personal connection with Nuremberg’s pa- trician families—suchs as Willibal Imhoff—counted as much as Maximilian’s recom- mendation in obtaining this subvention, which was granted and paid out to Ottavio Strada only ‘uf sein vaters weiter schreiben’, i.e. after Strada had provided some additional information. 76 Doc 1575-09-28: ‘Gnedigster Churfurst, ich hab mit groser danksagung die 5oo dhaler em- phangen, die mir Eur C.F.G. gepresentiert hatt, auf Ir Röm. Kay. May. schreiben zu hulf meines Dichsionarium’. 77 Doc. 1584-07-01 (Appendix B); Strada claimed that Ottavio had kept the moneys he re- ceived for himself: ‘Erstlichen, demnach mier durch genedigiste Bewilligung des Römisch Khaijserlichen Majestäts Maximiliani Secunti ein Anzall commendatorij Briefe, zu Hülff
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Band 2
Titel
Jacopo Strada and Cultural Patronage at the Imperial Court
Untertitel
The Antique as Innovation
Band
2
Autor
Dirk Jacob Jansen
Verlag
Brill
Ort
Leiden
Datum
2019
Sprache
englisch
Lizenz
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Abmessungen
15.8 x 24.1 cm
Seiten
542
Kategorien
Biographien
Kunst und Kultur

Inhaltsverzeichnis

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
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Jacopo Strada and Cultural Patronage at the Imperial Court