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11.5 Strada’s Confessional Position
About Strada’s position in the religious troubles of his time little is known,
and though this information does not allow certain conclusions about his real
opinions, it is of some interest in view of the important role of the confessional
situation at Maximilian’s court. It is not for nothing that—together with the
Imperial physician Johannes Crato, the librarian Hugo Blotius and the general
Lazarus von Schwendi—Strada was chosen as one of four key figures in How-
ard Louthan’s treatment of a complex of opinions at the Imperial court add-
ing up to what he considers an irenic via media, reflecting ideals of religious
compromise and moderation followed by Maximilian and, to a lesser extent,
by Rudolf ii.36 Key document for Strada’s attitude is a letter of September 1576
to his old friend Jacopo Dani, secretary of Grand Duke Francesco i of Tusca-
ny, in which he defends himself against accusations of heterodoxy Dani had
reported back to him. Proclaiming himself an assiduous Catholic, he neverthe-
less refused to boycott those of other persuasions:
You should know<…>that from the day I was born I have never changed
my religion, nor will I ever do so until I die. At great expense I have kept
my sons in the house of the Jesuits, together with other noblemen, and
these Jesuits are regular guests in my home, as are Monsignor the Nuncio
and the Spanish Ambassador as well as many other lords whom it would
be too much to mention all. My house is a house for all sorts of people,
and if it was known for otherwise, there would not be so many gentlemen
who come and visit me, and the world can judge that very well because
lately when my wife died, God bless her soul, I had her buried according
to our custom; and the funeral cost me over 300 Thaler, and His Impe-
rial Majesty and His Majesty the King [of the Romans, Rudolf ii], sent
their gentlemen of the Chamber to accompany her, and there were a host
of noblemen present; and in contrast, if I would have been of the other
religion, I would have sent her out of town to their church, and would
have buried her for ten pounds, as they do with the gentlewomen of their
religion.37
36 Louthan 1997; a summary of Strada’s position on pp. 124–125.
37 Doc. 1576-09-28: ‘Sappiate, Signor Secretario, che dal giorno che nacque non ò mai mutato
religione, ne sono per mutarla, insino alla morte tampoco. In casa delli Jesuiti ò tenuto
in donzina alle spese in compagnia d’altri gentilhuomini gli miei figliuoli; et essi Jesuiti
praticano in casa mia domesticamente, et Mon Signor Nuncio et l’Ambassador di Spagna,
et altri Signori che sarebbe troppo a volervi qui tutti nominare. La mia casa e casa per
hogni sorte d’huomini, et quando fossi cognosciuto per altro, non verebbono tanti Signori
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Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 2
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 2
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 542
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038