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Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
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Seite - 900 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2

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900 Appendices C Strada’s Musaeum: Pleasant Paintings Munich, BHStA-LA 4851, fol. 15b First published in J. Stockbauer, Die Kunstbestrebungen am Bayerischen Hofe unter Albrecht v. [= Quellenschriften zur Kunstgeschichte 8], Wien, 1874 [facs. edition Os- nabrück, 1970], 43–44. – Phrases and titles written in Latin letters instead of in Fraktur are set in Small Capitals in the transcription – Orthograpy has been maintained, capitalisation and punctuation are normalized. Gemalte Lustigen Tiecher vonn kunstreichen Mallern zu Venedig und sonst in Italia gemacht, alle von Oel Farbenn 1 Groß gmalt Tuech von Oel Farbenn / die Archa Noe gar kunstlich vom weitt/ beruhmbten Jac.o dl ponte gemacht. 1 Historia von Moise im Pusch vom gemelten Maister gemacht. 1 Presepio mitt den Hirtten, vom ditto gemacht. 1 clain Presepio vom gemelten. 1 großen Quatro, wie Moises den Kindern Israels das Wasser auß dem Felsen sprin- gen macht, gar künstlich vom ditto. 1 großen Quatro vonn S[ancta?]Sußanna vom weittberuembten Jac.o Tentoretto von Venedig gemacht. 1 großen Quatro von Adonis und Venere vom weittberuembten Salviati gemacht. 1 groß Stückh Gemeel vom weitberühmten Paulo Veroneso gemacht / darbey gesch[rieben]: Omnia Vanitas. 1 groß Stückh Gemeel vom ditto gemacht, darbey geschriben / Honor et Virtus post mortem floret. 2 Quatri vom Monte Bernaso, und Daffna vom Tizianeto gemacht. 1 Quatro vom Satiro von guetter handt. 4 Retrati vom weitberuembten Tiziano aignerhand gemacht, 1 Weib darbei ge- schriben Omnia Vanitas / Capson Cairo der Fürst aus Caramania mitt ein Buech inhenden / und S: Sebastiano mitt Pfeil im Henden. 1 eingefasste Taffell mitt vergulten Leistenn, alt / die Judith mitt Holoferni Haubt vom gmelten Titian0 gemacht. [fol. 15b verso] 1 Quatreto vom Iudizium Paredis ser fleißig, vom weitberühmten Nic. Frangiopa- nis gemacht mit Rolwerk eingfast. 3 Retrati von Frauen, vom Polidoro, Roßo Venezian und Tizianeto gmacht. 4 Quatro von der Leda, Lucrezia, Europa und Cleopatra, vom Julio Framengo [sic] gmacht.
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Band 2
Titel
Jacopo Strada and Cultural Patronage at the Imperial Court
Untertitel
The Antique as Innovation
Band
2
Autor
Dirk Jacob Jansen
Verlag
Brill
Ort
Leiden
Datum
2019
Sprache
englisch
Lizenz
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Abmessungen
15.8 x 24.1 cm
Seiten
542
Kategorien
Biographien
Kunst und Kultur

Inhaltsverzeichnis

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
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