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914 Appendices
[ 49 ]
Liber de romanis, graecis et germanis imperatoribus et augustis omnibus, nec non de
tyrannis cunctis, qui unquam contra legitimos caesares augustosque imperium roma-
num, vel vi et armis, vel fraude ac insidiis, occupare et accipere conati sunt. Additis
etiam ipsorum imperatorum et caesarum, atque tyrannorum uxoribus, utrusque sexus
liberis, et cognatis proximis. Estque hic liber integra et continuata series, historiaque
locupletissima a Caio Julio Caesare incipiens, ac in Rodulpho ii, Romanorum augusto,
nunc rerum potiente, desinens. Insertae sunt ipsorum imperatorum effigies, partim
delineatae, partim descriptae exactissima fede ex antiquis marmoribus ac archetypus,
tum ex aeneis, argenteis et aureis numismatibus. Insertae sunt res plurimae scitu et
cognitione dignissimae, nempe de magistratibus romanis variis, de multis ethnicorum
diis, sacris, sacrificiis, templis ac operibus publicis, ludis et spectaculis romanis, ac ani-
malibus peregrinis. Appositi triumphi, ovationes et consulatus caesarum, augustorum
ac tyrannorum consulumque, si quae habere potuimus, numismata. Addite conve-
nientibus locis variae antiquae inscriptiones, vel ipsorum imperatorum, vel consulum,
vel rerum historiarum mentionem facientes. Insertae praeterea sunt suis locis multae
figurae conflictuum et proelionum Romanorum tam contra hostes, quam inter ipsos
cives et imperatores ac tyrannos gestorum. Additae item figurae castrorum in vicem
oppositorum, […?]mque munitiones; itemque urbium obsidiones et expugnationes,
civitatumque ipsarum situm exprimentes, et oculis subiicientes. Accesserunt item
locorum provinciarum regionumque inscriptiones et tabulae cosmographicae iustis
locis adhaerentes. Adiecte sunt et leges ac rescripta ab uno quoque imperatore edita et
promulgata. Omnia ista a nobis summa fide, industria et diligentia, maxime sudore et
labore, ingentibusque sumptibus composita et collecta, sicuti opus ipsum, cuique rem
ipsam, satis ostendit et declarat.
...
NOTE: The second part of version A [Vienna, önb, cod. 10101] of the Index sive cata-
logus continues with a list of hundred and fifty-three manuscripts, many of them ‘Sam-
melhandschrifte’ collecting several separate works, in all several hundred titles.]
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038