Page - 1001 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2
Image of the Page - 1001 -
Text of the Page - 1001 -
1001Illustrations
5.15–5.16 The German edition of Sebastiano Serlio’s Fourth Book, Antwerp 1542:
title page and dedication to King Ferdinand; Zurich, Zentralbibliothek,
sig. T 74 | G; images e-rara.ch    261
5.17 The Summer Palace of Queen Anna in the gardens of Prague Castle;
image Wikimedia/ Michael Brezocnik (CC BY-SA 4.0)    262
5.18 The Palazzo del Principe at Fassolo, Genoa, built by Perino del Vaga
for Andrea Doria, from 1530 onward; anonymous engraving from the
eighteenth century; image Wikimedia/pd    262
5.19 Entablature of the door surround of Queen Anna’s Summer Palace at
the Castle at Prague, ca 1540–1545; image author    263
5.20 Entablature of a door surround of the Corinthian order in the Forum
of Spoleto; woodcut from Sebastiano Serlio, Quarto libro, Venezia 1540,
tav. LII; image BSB-MDZ (CC BY-NC-SA 3.0)    263
5.21 Anonymous draughtsman, portrait of Maximilian II when King of
Bohemia, miniature from the portrait album of Hieronymus Beck von
Leopoldsdorf; KHM, inv. nr GG-9691    265
5.22–5.24 Anonymous Italian draughtsman, three of five drawings documenting
the design of Hvězda at Prague, after a concept of Archduke Ferdinand
II of Tirol: plans of basement and ground floor and section; ÖNB-HS,
Cod. min. 108, ff. 2, 3 and 6    269
5.25–5.26 Leonhard Beck (ca 1475/80 1542), ‘How the young White King learns
to build in carpentry’, and ‘How the young White King learns to
build in stone’, woodcuts first published in Marx Treitzsauerwein
von Ehrentreitz, Der Weisskunig, Vienna 1775; images from the facsimi-
le edition published by Alwin Schultz in JdKS 6 (1888); images HHB-D
(CC BY-SA 3.0) 
  273
5.27 ‘Les degrez et la galerie’, woodcut from Jean Pélérin, De Artificialia Per-
spectiva, Toul 1505, f.21r. SuStB, sig. 2 Math 109; image BSB-MDZ    275
5.28 Diego Sagredo, Medidas del Romano, Toledo (Juan de Ayala), 1549, title
page; image Centro de Estudios Históricos de Obras Públicas y Urban-
ismo, Centro de documentación, Biblioteca digital: http://www
.cehopu.cedex.es/es/biblioteca_d.php    275
5.29 Walther Ryff, Vitruvius Teutsch, Nuremberg 1548, title page, HUB, sig.
T 2017 RES; image HHB-D    275
5.30 The gatehouse of a palace, woodcut from Francesco Colonna’s Hypne-
rotomachia Poliphili, Venice 1499, f. 8, Houghton Library, Harvard
University, sig. WKR 3.5.4; image Wikimedia/pd    278
5.31 Albrecht Dürer, The Presentation of Christ in the Temple, woodcut, ca
1505; image ARM, inv. nr RP-P-OB-1416 
  278
back to the
book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038