Seite - 1001 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2

1001Illustrations 5.15–5.16 The German edition of Sebastiano Serlio’s Fourth Book, Antwerp 1542: title page and dedication to King Ferdinand; Zurich, Zentralbibliothek, sig. T 74 | G; images e-rara.ch    261 5.17 The Summer Palace of Queen Anna in the gardens of Prague Castle; image Wikimedia/ Michael Brezocnik (CC BY-SA 4.0)    262 5.18 The Palazzo del Principe at Fassolo, Genoa, built by Perino del Vaga for Andrea Doria, from 1530 onward; anonymous engraving from the eighteenth century; image Wikimedia/pd    262 5.19 Entablature of the door surround of Queen Anna’s Summer Palace at the Castle at Prague, ca 1540–1545; image author    263 5.20 Entablature of a door surround of the Corinthian order in the Forum of Spoleto; woodcut from Sebastiano Serlio, Quarto libro, Venezia 1540, tav. LII; image BSB-MDZ (CC BY-NC-SA 3.0)    263 5.21 Anonymous draughtsman, portrait of Maximilian II when King of Bohemia, miniature from the portrait album of Hieronymus Beck von Leopoldsdorf; KHM, inv. nr GG-9691    265 5.22–5.24 Anonymous Italian draughtsman, three of five drawings documenting the design of Hvězda at Prague, after a concept of Archduke Ferdinand II of Tirol: plans of basement and ground floor and section; ÖNB-HS, Cod. min. 108, ff. 2, 3 and 6    269 5.25–5.26 Leonhard Beck (ca 1475/80 1542), ‘How the young White King learns to build in carpentry’, and ‘How the young White King learns to build in stone’, woodcuts first published in Marx Treitzsauerwein von Ehrentreitz, Der Weisskunig, Vienna 1775; images from the facsimi- le edition published by Alwin Schultz in JdKS 6 (1888); images HHB-D (CC BY-SA 3.0)    273 5.27 ‘Les degrez et la galerie’, woodcut from Jean Pélérin, De Artificialia Per- spectiva, Toul 1505, f.21r. SuStB, sig. 2 Math 109; image BSB-MDZ    275 5.28 Diego Sagredo, Medidas del Romano, Toledo (Juan de Ayala), 1549, title page; image Centro de Estudios Históricos de Obras Públicas y Urban- ismo, Centro de documentación, Biblioteca digital: http://www .cehopu.cedex.es/es/biblioteca_d.php    275 5.29 Walther Ryff, Vitruvius Teutsch, Nuremberg 1548, title page, HUB, sig. T  2017 RES; image HHB-D    275 5.30 The gatehouse of a palace, woodcut from Francesco Colonna’s Hypne- rotomachia Poliphili, Venice 1499, f. 8, Houghton Library, Harvard University, sig. WKR 3.5.4; image Wikimedia/pd    278 5.31 Albrecht Dürer, The Presentation of Christ in the Temple, woodcut, ca 1505; image ARM, inv. nr RP-P-OB-1416    278