Page - 1002 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2

1002 Illustrations 5.32 Sebastiano Serlio, The Arch of the Gavii at Verona; woodcut from the Terzo libro, Venice 1544, HUB, sig. C 6339-8-10 F. Res; image HHB-D (CC BY-SA 3.0)    280 5.33 Donato de’ Boni, Imperial Gate, Antwerp, ca 1545; woodcut from Cornelis Graphaeus, Spectaculorum In Susceptione Philippi Hispaniae Principis … Apparatus, Antwerp 1549/1550, BSB, sig. Res/2 Belg. 123; im- age BSB-MDZ (CC BY-NC-SA 4.0)    280 5.34 Casa de Campo, Madrid, ca 1519; attributed to Antonio de Ma- drid (active 1509–1549), plan; image from CHÂTENET 2002, pp. 536–537    281 5.35 Casa de Campo, Madrid, ca 1519; bird’s eye view by Felix Castello, 1637, Museo de Historia de Madrid; image Wikimedia/ Copyleft (CC BY-SA 3.0)    281 5.36 The Palace of Charles V at Granada, principal (west) façade; image Wikimedia/ Ingo Mehling (CC BY-SA 3.0)    282 5.37 The Palace of Charles V at Granada, circular courtyard; image Wikime- dia/ Hismattness (CC BY-SA 3.0)    282 5.38 The Palace of Charles V at Granada, plan; image from ROSENTHAL 1985, pl. 19    283 5.39 Rodrigo Gil de Hontañon, Palacio de Monterrey, Salamanca (1536– 1539), image Wikimedia/Turol Jones (CC BY 2.0)    283 5.40 Michiel Coxcie, stained-glass window in the Sacrament Chapel, Cathe- dral of Ste Gudule, Brussels, commissioned by Mary of Hungary, 1547; image © KIK-IRPA    284 5.41 Michiel Coxcie, stained-glass window in the Sacrament Chapel, Cathedral of Ste Gudule, Brussels, commissioned by Charles V and Isabella of Portugal, 1537, detail; image Wikimedia/ Steve Collis (CC BY 2.0)    284 5.42–5.43 Garden and courtyard façades of the Palais Granvelle in Bruxelles; engravings from P.J. Goetghebuer, Choix des monuments, édifices et maisons les plus remarquables du Royaume des Pays-Bas, Ghent 1827; images Wikimedia/pd    285 5.44 Adrien de Montigny, Château de Boussu (Hainaut, Belgium), gouache from the Albums de Croÿ; ÖNB-HS, Cod. min. 50, vol. 5, f. 61r    285 5.45 Château de Boussu, remains of the entrance portal; image Wikimedia/ Loup0200 (CC BY-SA 3.0)    285 5.46–5.47 Pieter Coecke van Aalst, triumphal arches of the Spanish and the Flemish merchants at the ceremonial entry of Philip of Spain in Ant- werp in 1549; woodcuts from Cornelius Graphaeus 1549/1550 (as in Fig. 5.33); images BSB-MDZ    287