Seite - 1002 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
Bild der Seite - 1002 -
Text der Seite - 1002 -
1002 Illustrations
5.32 Sebastiano Serlio, The Arch of the Gavii at Verona; woodcut from the
Terzo libro, Venice 1544, HUB, sig. C 6339-8-10 F. Res; image HHB-D
(CC BY-SA 3.0) 
  280
5.33 Donato de’ Boni, Imperial Gate, Antwerp, ca 1545; woodcut from
Cornelis Graphaeus, Spectaculorum In Susceptione Philippi Hispaniae
Principis … Apparatus, Antwerp 1549/1550, BSB, sig. Res/2 Belg. 123; im-
age BSB-MDZ (CC BY-NC-SA 4.0)    280
5.34 Casa de Campo, Madrid, ca 1519; attributed to Antonio de Ma-
drid (active 1509–1549), plan; image from CHÂTENET 2002, pp.
536–537    281
5.35 Casa de Campo, Madrid, ca 1519; bird’s eye view by Felix Castello,
1637, Museo de Historia de Madrid; image Wikimedia/ Copyleft (CC
BY-SA 3.0)    281
5.36 The Palace of Charles V at Granada, principal (west) façade; image
Wikimedia/ Ingo Mehling (CC BY-SA 3.0) 
  282
5.37 The Palace of Charles V at Granada, circular courtyard; image Wikime-
dia/ Hismattness (CC BY-SA 3.0)    282
5.38 The Palace of Charles V at Granada, plan; image from ROSENTHAL
1985, pl. 19    283
5.39 Rodrigo Gil de Hontañon, Palacio de Monterrey, Salamanca (1536–
1539), image Wikimedia/Turol Jones (CC BY 2.0)    283
5.40 Michiel Coxcie, stained-glass window in the Sacrament Chapel, Cathe-
dral of Ste Gudule, Brussels, commissioned by Mary of Hungary, 1547;
image © KIK-IRPA    284
5.41 Michiel Coxcie, stained-glass window in the Sacrament Chapel,
Cathedral of Ste Gudule, Brussels, commissioned by Charles V and
Isabella of Portugal, 1537, detail; image Wikimedia/ Steve Collis
(CC BY 2.0) 
  284
5.42–5.43 Garden and courtyard façades of the Palais Granvelle in Bruxelles;
engravings from P.J. Goetghebuer, Choix des monuments, édifices et
maisons les plus remarquables du Royaume des Pays-Bas, Ghent 1827;
images Wikimedia/pd    285
5.44 Adrien de Montigny, Château de Boussu (Hainaut, Belgium), gouache
from the Albums de Croÿ; ÖNB-HS, Cod. min. 50, vol. 5, f. 61r    285
5.45 Château de Boussu, remains of the entrance portal; image Wikimedia/
Loup0200 (CC BY-SA 3.0)    285
5.46–5.47 Pieter Coecke van Aalst, triumphal arches of the Spanish and the
Flemish merchants at the ceremonial entry of Philip of Spain in Ant-
werp in 1549; woodcuts from Cornelius Graphaeus 1549/1550 (as in Fig.
5.33); images BSB-MDZ    287
zurück zum
Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 2
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 2
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 542
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038