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Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
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1002 Illustrations 5.32 Sebastiano Serlio, The Arch of the Gavii at Verona; woodcut from the Terzo libro, Venice 1544, HUB, sig. C 6339-8-10 F. Res; image HHB-D (CC BY-SA 3.0)    280 5.33 Donato de’ Boni, Imperial Gate, Antwerp, ca 1545; woodcut from Cornelis Graphaeus, Spectaculorum In Susceptione Philippi Hispaniae Principis … Apparatus, Antwerp 1549/1550, BSB, sig. Res/2 Belg. 123; im- age BSB-MDZ (CC BY-NC-SA 4.0)    280 5.34 Casa de Campo, Madrid, ca 1519; attributed to Antonio de Ma- drid (active 1509–1549), plan; image from CHÂTENET 2002, pp. 536–537    281 5.35 Casa de Campo, Madrid, ca 1519; bird’s eye view by Felix Castello, 1637, Museo de Historia de Madrid; image Wikimedia/ Copyleft (CC BY-SA 3.0)    281 5.36 The Palace of Charles V at Granada, principal (west) façade; image Wikimedia/ Ingo Mehling (CC BY-SA 3.0)    282 5.37 The Palace of Charles V at Granada, circular courtyard; image Wikime- dia/ Hismattness (CC BY-SA 3.0)    282 5.38 The Palace of Charles V at Granada, plan; image from ROSENTHAL 1985, pl. 19    283 5.39 Rodrigo Gil de Hontañon, Palacio de Monterrey, Salamanca (1536– 1539), image Wikimedia/Turol Jones (CC BY 2.0)    283 5.40 Michiel Coxcie, stained-glass window in the Sacrament Chapel, Cathe- dral of Ste Gudule, Brussels, commissioned by Mary of Hungary, 1547; image © KIK-IRPA    284 5.41 Michiel Coxcie, stained-glass window in the Sacrament Chapel, Cathedral of Ste Gudule, Brussels, commissioned by Charles V and Isabella of Portugal, 1537, detail; image Wikimedia/ Steve Collis (CC BY 2.0)    284 5.42–5.43 Garden and courtyard façades of the Palais Granvelle in Bruxelles; engravings from P.J. Goetghebuer, Choix des monuments, édifices et maisons les plus remarquables du Royaume des Pays-Bas, Ghent 1827; images Wikimedia/pd    285 5.44 Adrien de Montigny, Château de Boussu (Hainaut, Belgium), gouache from the Albums de Croÿ; ÖNB-HS, Cod. min. 50, vol. 5, f. 61r    285 5.45 Château de Boussu, remains of the entrance portal; image Wikimedia/ Loup0200 (CC BY-SA 3.0)    285 5.46–5.47 Pieter Coecke van Aalst, triumphal arches of the Spanish and the Flemish merchants at the ceremonial entry of Philip of Spain in Ant- werp in 1549; woodcuts from Cornelius Graphaeus 1549/1550 (as in Fig. 5.33); images BSB-MDZ    287
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Band 2
Titel
Jacopo Strada and Cultural Patronage at the Imperial Court
Untertitel
The Antique as Innovation
Band
2
Autor
Dirk Jacob Jansen
Verlag
Brill
Ort
Leiden
Datum
2019
Sprache
englisch
Lizenz
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Abmessungen
15.8 x 24.1 cm
Seiten
542
Kategorien
Biographien
Kunst und Kultur

Inhaltsverzeichnis

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
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