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Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2
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1003Illustrations 5.48 Heinrich Aldegrever, Portrait of Wilhelm V, Duke of Jülich, Cleves and Berg; engraving, 1540; MET, gift of Felix Warburg and Family, acc. nr 41.1.128    289 5.49 Jülich, Ducal palace, rustic portal and window-surrounds, ca 1550; im- age author    289 5.50 By or after Alessandro Pasqualini: the original model for the construc- tion of the citadel at Jülich, ca 1547, Munich, Bayerisches Nationalmu- seum; image Wikimedia/pd    289 5.51 Jülich, Ducal Palace: exterior of the chapel; image author    290 5.52 Jülich, Ducal Palace: interior of the chapel; image author    290 5.53 Jülich, Ducal Palace: door-surround in staircase hall; image author    290 5.54 Plan of the Grünes Lusthaus, built 1555–1557 for Maximilian II in the Prater just outside Vienna: detail from the plan inserted in Georg Tanner’s description (1557); ÖNB-HS, ms. 8085    291 5.55 Anonymous Italian draughtsman, Hvězda (Schloss Stern), plan of first floor, drawing; ÖNB-HS, Cod. min. 108, f. 4    291 5.56–5.57 Designs for centrally planned houses, woodcuts from CATANEO 1554, Book IV, Chs. X and XI; images GRI, sig. pi2 A-O, ID-Accession nr 85-B7035    293 5.58 Sebastiano Serlio, project for a villa on a cruciform plan, ‘Della terza casa alla villa’, woodcut from the Settimo Libro; SERLIO 1575, p. 7; im- age SLUB-DS (CC-BY-SA 4.0)    294 5.59 Giulio Romano, Colombaio (dovecote) or Torre stellare of the Corte Castiglioni at Marcaria (Mantua), 1545–1549; image from GIULIO ROMANO 1989, p. 527    294 5.60 Antonio da Sangallo il Giovane, completed by Giacomo Barozzi da Vignola, the Villa Farnese at Caprarola, begun 1529, engraving from Augustin-Charles d’Aviler, Cours d’Architecture, Paris (Langlois) 1691, pl.  73, p. 259; image Wikimedia/pd    294 5.61 Prague, hunting-lodge Hvězda (Schloss Stern), built 1555–1560 for Archduke Ferdinand II of Tirol, as seen from the White Mountain; im- age Wikimedia/Julia (CC BY-SA 2.0)    295 5.62 The Château de Mariemont, detail from Jan Brueghel the Elder, The Archdukes Ferdinand and Isabella hunting at Mariemont, ca 1611, MdP, inv. nr P01434; image © MdP/Photographic Archive    295 5.63–5.64 The Château de Saint-Germain-en-Laye, 1542–1549, elevation and plan from ANDROUET DU CERCEAU 1576, pl. 38; BN-INHA, collections Doucet, sig. Num Fol Res 538(1) (open licence)    296
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Volume 2
Title
Jacopo Strada and Cultural Patronage at the Imperial Court
Subtitle
The Antique as Innovation
Volume
2
Author
Dirk Jacob Jansen
Publisher
Brill
Location
Leiden
Date
2019
Language
English
License
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Size
15.8 x 24.1 cm
Pages
542
Categories
Biographien
Kunst und Kultur

Table of contents

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
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