Seite - 1003 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
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1003Illustrations
5.48 Heinrich Aldegrever, Portrait of Wilhelm V, Duke of Jülich, Cleves and
Berg; engraving, 1540; MET, gift of Felix Warburg and Family, acc. nr
41.1.128    289
5.49 Jülich, Ducal palace, rustic portal and window-surrounds, ca 1550; im-
age author    289
5.50 By or after Alessandro Pasqualini: the original model for the construc-
tion of the citadel at Jülich, ca 1547, Munich, Bayerisches Nationalmu-
seum; image Wikimedia/pd    289
5.51 Jülich, Ducal Palace: exterior of the chapel; image author 
  290
5.52 Jülich, Ducal Palace: interior of the chapel; image author    290
5.53 Jülich, Ducal Palace: door-surround in staircase hall; image
author    290
5.54 Plan of the Grünes Lusthaus, built 1555–1557 for Maximilian II in the
Prater just outside Vienna: detail from the plan inserted in Georg
Tanner’s description (1557); ÖNB-HS, ms. 8085    291
5.55 Anonymous Italian draughtsman, Hvězda (Schloss Stern), plan of first
floor, drawing; ÖNB-HS, Cod. min. 108, f. 4    291
5.56–5.57 Designs for centrally planned houses, woodcuts from CATANEO
1554, Book IV, Chs. X and XI; images GRI, sig. pi2 A-O, ID-Accession nr
85-B7035    293
5.58 Sebastiano Serlio, project for a villa on a cruciform plan, ‘Della terza
casa alla villa’, woodcut from the Settimo Libro; SERLIO 1575, p. 7; im-
age SLUB-DS (CC-BY-SA 4.0)    294
5.59 Giulio Romano, Colombaio (dovecote) or Torre stellare of the Corte
Castiglioni at Marcaria (Mantua), 1545–1549; image from GIULIO
ROMANO 1989, p. 527    294
5.60 Antonio da Sangallo il Giovane, completed by Giacomo Barozzi da
Vignola, the Villa Farnese at Caprarola, begun 1529, engraving from
Augustin-Charles d’Aviler, Cours d’Architecture, Paris (Langlois) 1691,
pl. 73, p. 259; image Wikimedia/pd    294
5.61 Prague, hunting-lodge Hvězda (Schloss Stern), built 1555–1560 for
Archduke Ferdinand II of Tirol, as seen from the White Mountain; im-
age Wikimedia/Julia (CC BY-SA 2.0)    295
5.62 The Château de Mariemont, detail from Jan Brueghel the Elder,
The Archdukes Ferdinand and Isabella hunting at Mariemont,
ca 1611, MdP, inv. nr P01434; image © MdP/Photographic
Archive    295
5.63–5.64 The Château de Saint-Germain-en-Laye, 1542–1549, elevation and plan
from ANDROUET DU CERCEAU 1576, pl. 38; BN-INHA, collections
Doucet, sig. Num Fol Res 538(1) (open licence)    296
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Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 2
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 2
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 542
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038