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1023Illustrations
12.8–12.9 Titian, portrait of Jacopo Strada, details of Fig. 0.1 593
12.10 Tintoretto, portrait of Ottavio Strada, detail of Fig. 0.2 593
12.11–12.12 Titian, portrait of Jacopo Strada, details of Fig. 0.1 594
12.13 Tintoretto, portrait of Ottavio Strada, detail of Fig. 0.2 594
12.14 Friedrich Sustris and Carlo Pallago, decoration of a room in the
Fuggerhaus, Augsburg (1569–1573); image Bildarchiv Foto
Marburg 595
12.15 Orbit of Jacopo Strada, Portrait bust of Marcus Aurelius, terracotta
and stucco, in the Imperial Chamber, Bučovice castle (ca 1583); image
SZB 595
12.16–12.17 Jacopo Strada or workshop, drawings of Roman portrait busts, pen and
wash on paper, from his miscellaneous materials; ÖNB-HS, ms. Cod.
min. 21,3, ff. 62r. and 65r
597
12.18 Workshop of Jacopo Strada, a bust of the Emperor Hadrian, from an
album lent to Elector August of Saxony in 1574; Dresden, Kupferstich-
Kabinett, inv.-nr Ca 74, f. 15r 597
12.19 Titian, portrait of Jacopo Strada, detail of Fig. 0.1, showing antique
coins 598
12.20 Tintoretto, portrait of Ottavio Strada, detail of Fig. 0.2, showing a cor-
nucopia showering a profusion of antique coins 598
12.21 View of the salone on the piano nobile of the Palazzo Grimani at Santa
Maria Formosa, Venice ca 1567; image Wikimedia/ Oliver-Bonjoch (CC
BY-SA 3.0) 601
12.22 Titian, Portrait of Jacopo Strada, detail of Fig. 0.1 604
12.23 Attributed to Marietta Tintoretto, portrait of Jacopo Strada with
self-
portrait, dressed as a boy; Dresden, Gemäldegalerie; image
SKD-GG 604
12.24 Tintoretto, Portrait of Ottavio Strada, detail of Fig. 0.2 604
12.25 Titian, Lavinia holding a bowl of fruit, oil on canvas, 106,2 x 84,8 cm;
Berlin, SMBPK, Gemäldegalerie, inv. nr 166; image Jörg P. Anders (CC
BY NC 3.0) 607
12.26 Studio of Titian, La Sultana Rossa, 1550s; oil on canvas, 96,5 x 76,2 cm;
Sarasota, John and Mabel Ringling Museum, inv. nr SN 58; bequest of
John Ringling, 1936 607
12.27 Antonio del Correggio, The School of Love, London, National
Gallery, inv. nr NG10; image National Gallery Picture Library (CC
BY-NC-SA 4.0) 611
12.28 Antonio del Correggio, Venus, Cupid and Satyr, oil on canvas, 188 x
125 cm, Paris, Musée du Louvre; image © RMN-Grand Palais / Franck
Raux 611
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book Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Volume 2
- Title
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Subtitle
- The Antique as Innovation
- Volume
- 2
- Author
- Dirk Jacob Jansen
- Publisher
- Brill
- Location
- Leiden
- Date
- 2019
- Language
- English
- License
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Size
- 15.8 x 24.1 cm
- Pages
- 542
- Categories
- Biographien
- Kunst und Kultur
Table of contents
- 11 The Musaeum: Strada’s Circle 547
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038