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Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
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1023Illustrations 12.8–12.9 Titian, portrait of Jacopo Strada, details of Fig. 0.1    593 12.10 Tintoretto, portrait of Ottavio Strada, detail of Fig. 0.2    593 12.11–12.12 Titian, portrait of Jacopo Strada, details of Fig. 0.1    594 12.13 Tintoretto, portrait of Ottavio Strada, detail of Fig. 0.2    594 12.14 Friedrich Sustris and Carlo Pallago, decoration of a room in the Fuggerhaus, Augsburg (1569–1573); image Bildarchiv Foto Marburg    595 12.15 Orbit of Jacopo Strada, Portrait bust of Marcus Aurelius, terracotta and stucco, in the Imperial Chamber, Bučovice castle (ca 1583); image SZB    595 12.16–12.17 Jacopo Strada or workshop, drawings of Roman portrait busts, pen and wash on paper, from his miscellaneous materials; ÖNB-HS, ms. Cod. min. 21,3, ff. 62r. and 65r    597 12.18 Workshop of Jacopo Strada, a bust of the Emperor Hadrian, from an album lent to Elector August of Saxony in 1574; Dresden, Kupferstich- Kabinett, inv.-nr Ca 74, f. 15r    597 12.19 Titian, portrait of Jacopo Strada, detail of Fig. 0.1, showing antique coins    598 12.20 Tintoretto, portrait of Ottavio Strada, detail of Fig. 0.2, showing a cor- nucopia showering a profusion of antique coins    598 12.21 View of the salone on the piano nobile of the Palazzo Grimani at Santa Maria Formosa, Venice ca 1567; image Wikimedia/ Oliver-Bonjoch (CC BY-SA 3.0)    601 12.22 Titian, Portrait of Jacopo Strada, detail of Fig. 0.1    604 12.23 Attributed to Marietta Tintoretto, portrait of Jacopo Strada with self- portrait, dressed as a boy; Dresden, Gemäldegalerie; image SKD-GG    604 12.24 Tintoretto, Portrait of Ottavio Strada, detail of Fig. 0.2    604 12.25 Titian, Lavinia holding a bowl of fruit, oil on canvas, 106,2 x 84,8 cm; Berlin, SMBPK, Gemäldegalerie, inv. nr 166; image Jörg P. Anders (CC BY NC 3.0)    607 12.26 Studio of Titian, La Sultana Rossa, 1550s; oil on canvas, 96,5 x 76,2 cm; Sarasota, John and Mabel Ringling Museum, inv. nr SN 58; bequest of John Ringling, 1936    607 12.27 Antonio del Correggio, The School of Love, London, National Gallery, inv. nr NG10; image National Gallery Picture Library (CC BY-NC-SA 4.0)    611 12.28 Antonio del Correggio, Venus, Cupid and Satyr, oil on canvas, 188 x 125 cm, Paris, Musée du Louvre; image © RMN-Grand Palais / Franck Raux    611
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Band 2
Titel
Jacopo Strada and Cultural Patronage at the Imperial Court
Untertitel
The Antique as Innovation
Band
2
Autor
Dirk Jacob Jansen
Verlag
Brill
Ort
Leiden
Datum
2019
Sprache
englisch
Lizenz
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Abmessungen
15.8 x 24.1 cm
Seiten
542
Kategorien
Biographien
Kunst und Kultur

Inhaltsverzeichnis

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
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Jacopo Strada and Cultural Patronage at the Imperial Court