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Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Volume 2
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1062 Index Segovia  286 Seiniß, Carl de  449 Seisenegger, Jakob  263, 320 Seld, Georg Sigismund  56, 107, 344 Selim ii, Sultan of the Ottoman Empire  467, 531 Septimius Severus, Roman Emperor  684, 809n17, 818 Serlio, Sebastiano  28, 70, 129, 165, 173, 255, 261/5.15–5.16, 263, 263/5.20, 276, 288, 293, 317, 318/5.77–5.78, 325, 333–335, 339, 352, 353/6.14–6.15, 354, 355/6.18, 358–359, 358/6.21, 359/6.23, 360/6.25– 6.26, 361, 362/6.30 and 6.32, 397n28, 421, 469/9.41, 470–471, 472, 475, 478, 478/9.55, 480, 488, 631–633, 488/9.75, 492, 503, 503/9.97–9.98, 504/9.99– 9.100, 508, 528–529, 529/10.22–10.23, 533/10.29–10.30, 534, 538–542, 538/10.42–10.43, 562, 652, 654, 655n46, 680–683, 681/13.83, 684, 711, 740, 747, 749, 752, 768/14.35–14.36, 770–771, 808, 825, 850, 859, 861, 863–865, 867, 887, 889–890, 907–908, 910 Settimo Libro d’Architettura (1575)  14, 15n21, 28, 55, 57, 77, 136, 138, 149–156, 151/3.65–3.68, 152/3.69–3.72, 153/3.73– 3.74, 165, 180–181, 247, 294/5.58, 329, 329/588, 333, 380, 381/7.16, 382, 507, 521, 522/10.8–10.9, 532–533, 532/10.26, 538/10.43, 539–540, 539/10.47, 542, 550n6, 552, 562, 603, 631, 643, 683, 686, 710, 713, 726/14.3–14.4, 727, 740, 743, 747, 751, 757/14.30, 758–759, 771, 783n127, 844n18, 858, 861, 889–890, 925 Serpa, Carlo della  609 Sextus Rufus  811n21 Shakespeare, William  554n11 Shearman, John  865 Shelley, Richard  550n6 Sidney, Philip  305–306, 371n8, 550, 551/11.9, 552/11.10, 560 Siena  85, 562 Sigismund iv, Emperor  729/14.9, 885 Sigmund, ‘Maister’ in Landshut see Preda, Sigismundo da Sigonio, Carlo  160n88, 554n12 Simeoni see Symeoni Simler, Josias  9 Simons, Madelon  271n38 Sittard, Matthias  555 Skrabanek, Alena  536n36, 538–539, 541n41 Skramlík, Jan  22, 22/0.13 Slavkov / Austerlitz (Czechia)  524 Süleyman (elephant)  225, 226/4.13, 266–267, 435, 436/9.10, 495 Soissons  279 Solin (Dalmatia  471, 473 Solis, Virgil  550 Soranzo, Giacomo  327, 460 Sorokko, Serge (collection)  27, 663, 663/13.49–13.50 Sovicille, Castello di Celsa  562 Špan ze Španova, Vavřinec  291 Spalato see Split Spazio, Lucio  219, 319n115 Speyer  279, 283, 753n72 Spiegel, Jacob  9n9 Spinola, Marc Antonio  496n100 Spittal an der Drau (Austria), Schloss Porcia  258, 357, 360–361, 360/6.27–6.28 Split, Palace of Diocletian  471–480, 471/9.42–9.43, 472/9.44 and 9.46, 475/9.49–9.50, 476/9.51–9.52, 477/9.53–9.54, 479/9.57, 496n97, 499 Spoleto, Forum  263/5.20264 Spranger, Bartholomaeus  511, 527, 836 Springinklee, Hans  273n42 Stainhofer, Kaspar (Gaspar)  560n28, 561, 740 Stampa, Vincenzo and Gian Antonio  170n115 Stanghellino, Emilio  228–230, 835, 923 Staudinger, Manfred  894, 930, 931 Stella, Paolo della  252, 259, 320 Starck, Johann  82, 126n35 Staré Hrady, Castle  255, 256/5.3 Steinhausen, Werner Arnold  374/7.7, 375–376, 380 Stephanus, Carolus  120n22, 741 Stephanus, Robertus  741, 775n113, 800–802 Stierhof, Horst  33 Stockbauer, Jacob  8, 18, 19 Stoffe, Vältin  896 Stopio (Stoppio), Niccolò  8, 31, 48n10, 56n26, 87, 118, 318, 370, 372–374, 385, 387–391, 399n30, 426, 468n61, 549n2,
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Jacopo Strada and Cultural Patronage at the Imperial Court The Antique as Innovation, Volume 2
Title
Jacopo Strada and Cultural Patronage at the Imperial Court
Subtitle
The Antique as Innovation
Volume
2
Author
Dirk Jacob Jansen
Publisher
Brill
Location
Leiden
Date
2019
Language
English
License
CC BY-NC-ND 4.0
ISBN
978-90-04-35949-9
Size
15.8 x 24.1 cm
Pages
542
Categories
Biographien
Kunst und Kultur

Table of contents

  1. 11 The Musaeum: Strada’s Circle 547
    1. 11.1 Strada’s House 547
    2. 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
    3. 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
    4. 11.4 Intellectual Associates 556
    5. 11.5 Strada’s Confessional Position 566
    6. 11.6 Contacts with Members of the Dynasty 570
  2. 12 The Musaeum: its Contents 576
    1. 12.1 Introduction 576
    2. 12.2 Strada’s own Descriptions of his Musaeum 577
    3. 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
    4. 12.4 Strada’s own Cabinet of Antiquities 592
    5. 12.5 Acquisitions of Other Materials in Venice 599
    6. 12.6 Commissions in Mantua 610
    7. 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
    8. 12.8 Conclusion 628
  3. 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
    1. 13.1 Introduction 629
    2. 13.2 Strada’s Acquisition of Drawings 630
    3. 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
    4. 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
    5. 13.5 Later Fate of Strada’s Prints and Drawings 647
    6. 13.6 Drawings Preserved in a Context Linking Them withStrada 649
    7. 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
    8. 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
    9. 13.9 Images as a Source of Knowledge 711
    10. 13.10 Conclusion 717
  4. 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
    1. 14.1 Is There Life beyond the Court? 719
    2. 14.2 Strada’s Family 719
    3. 14.3 Ottavio Strada’s Role 725
    4. 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
    5. 14.5 The Musaeum as an Editorial Office? 739
    6. 14.6 Financing the Programme 752
    7. 14.7 The Index Sive Catalogus 760
    8. 14.8 Strada’s Approach of Christophe Plantin 775
    9. 14.9 The Rupture with Ottavio 781
    10. 14.10 Strada’s Testamentary Disposition 783
    11. 14.11 Conclusion: The Aftermath 786
  5. 15 Le Cose dell’antichità: Strada as a Student of Antiquity 799
    1. 15.1 Profession: Antiquarius 799
    2. 15.2 Strada’s Qualities as an Antiquary 807
    3. 15.3 Strada’s Method 813
    4. 15.4 Strada’s Aims 822
  6. 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
    1. 16.1 Strada as an Imperial Antiquary and Architect 830
    2. 16.2 Strada’s Role as an Agent 836
    3. 16.3 Strada as an Independent Agent 840
    4. 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
    5. 16.5 Strada’s Influence: An Agent of Change 849
    6. 16.6 Conclusion: Strada’s Personality 863
    7. 16.7 Epilogue: Back to the Portrait 868
  7. Appendices 877
    1. A Some Unpublished Letters 877
    2. B Strada’s Will 894
    3. C Strada’s Musaeum: Pleasant paintings 900
    4. D Strada’s Musaeum: The Index Sive Catalogus 902
  8. Chronological List of Sources 915
  9. Bibliography 932
  10. List of Illustrations 986
  11. Index 1038
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