Seite - 1062 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2
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1062 Index
Segovia  286
Seiniß, Carl de  449
Seisenegger, Jakob  263, 320
Seld, Georg Sigismund  56, 107, 344
Selim ii, Sultan of the Ottoman Empire  467,
531
Septimius Severus, Roman Emperor  684,
809n17, 818
Serlio, Sebastiano  28, 70, 129, 165, 173, 255,
261/5.15–5.16, 263, 263/5.20, 276, 288,
293, 317, 318/5.77–5.78, 325, 333–335,
339, 352, 353/6.14–6.15, 354, 355/6.18,
358–359, 358/6.21, 359/6.23, 360/6.25–
6.26, 361, 362/6.30 and 6.32, 397n28,
421, 469/9.41, 470–471, 472, 475, 478,
478/9.55, 480, 488, 631–633, 488/9.75,
492, 503, 503/9.97–9.98, 504/9.99–
9.100, 508, 528–529, 529/10.22–10.23,
533/10.29–10.30, 534, 538–542,
538/10.42–10.43, 562, 652, 654, 655n46,
680–683, 681/13.83, 684, 711, 740, 747,
749, 752, 768/14.35–14.36, 770–771,
808, 825, 850, 859, 861, 863–865,
867, 887, 889–890, 907–908,
910
Settimo Libro d’Architettura (1575)  14,
15n21, 28, 55, 57, 77, 136, 138, 149–156,
151/3.65–3.68, 152/3.69–3.72, 153/3.73–
3.74, 165, 180–181, 247, 294/5.58, 329,
329/588, 333, 380, 381/7.16, 382, 507,
521, 522/10.8–10.9, 532–533, 532/10.26,
538/10.43, 539–540, 539/10.47, 542,
550n6, 552, 562, 603, 631, 643, 683, 686,
710, 713, 726/14.3–14.4, 727, 740, 743, 747,
751, 757/14.30, 758–759, 771, 783n127,
844n18, 858, 861, 889–890, 925
Serpa, Carlo della  609
Sextus Rufus  811n21
Shakespeare, William  554n11
Shearman, John  865
Shelley, Richard  550n6
Sidney, Philip  305–306, 371n8, 550, 551/11.9,
552/11.10, 560
Siena  85, 562
Sigismund iv, Emperor 
729/14.9, 885
Sigmund, ‘Maister’ in Landshut see Preda,
Sigismundo da
Sigonio, Carlo  160n88, 554n12
Simeoni see Symeoni Simler, Josias  9
Simons, Madelon  271n38
Sittard, Matthias  555
Skrabanek, Alena  536n36, 538–539, 541n41
SkramlÃk, Jan 
22, 22/0.13
Slavkov / Austerlitz (Czechia)  524
Süleyman (elephant)  225, 226/4.13,
266–267, 435, 436/9.10, 495
Soissons  279
Solin (Dalmatia  471, 473
Solis, Virgil 
550
Soranzo, Giacomo 
327, 460
Sorokko, Serge (collection)  27, 663,
663/13.49–13.50
Sovicille, Castello di Celsa  562
Špan ze Španova, Vavřinec  291
Spalato see Split
Spazio, Lucio  219, 319n115
Speyer  279, 283, 753n72
Spiegel, Jacob  9n9
Spinola, Marc Antonio  496n100
Spittal an der Drau (Austria), Schloss
Porcia  258, 357, 360–361,
360/6.27–6.28
Split, Palace of Diocletian  471–480,
471/9.42–9.43, 472/9.44 and 9.46,
475/9.49–9.50, 476/9.51–9.52,
477/9.53–9.54, 479/9.57, 496n97, 499
Spoleto, Forum  263/5.20264
Spranger, Bartholomaeus  511, 527, 836
Springinklee, Hans  273n42
Stainhofer, Kaspar (Gaspar)  560n28, 561, 740
Stampa, Vincenzo and Gian
Antonio  170n115
Stanghellino, Emilio  228–230, 835, 923
Staudinger, Manfred  894, 930, 931
Stella, Paolo della  252, 259, 320
Starck, Johann  82, 126n35
Staré Hrady, Castle 
255, 256/5.3
Steinhausen, Werner Arnold 
374/7.7,
375–376, 380
Stephanus, Carolus  120n22, 741
Stephanus, Robertus  741, 775n113, 800–802
Stierhof, Horst  33
Stockbauer, Jacob 
8, 18, 19
Stoffe, Vältin  896
Stopio (Stoppio), Niccolò  8, 31, 48n10,
56n26, 87, 118, 318, 370, 372–374, 385,
387–391, 399n30, 426, 468n61, 549n2,
zurück zum
Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 2"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 2
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 2
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 542
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- 11 The Musaeum: Strada’s Circle 547
- 11.1 Strada’s House 547
- 11.2 High-ranking Visitors: Strada’s Guest Book and Ottavio’s Stammbuch 548
- 11.3 ‘Urbanissime Strada’: Accessibility of and Hospitality in the Musaeum 554
- 11.4 Intellectual Associates 556
- 11.5 Strada’s Confessional Position 566
- 11.6 Contacts with Members of the Dynasty 570
- 12 The Musaeum: its Contents 576
- 12.1 Introduction 576
- 12.2 Strada’s own Descriptions of his Musaeum 577
- 12.3 Strada’s Acquisitions for Duke Albrecht V of Bavaria 580
- 12.4 Strada’s own Cabinet of Antiquities 592
- 12.5 Acquisitions of Other Materials in Venice 599
- 12.6 Commissions in Mantua 610
- 12.7 ‘Gemalte Lustigen Tiecher’: Contemporary Painting in Strada’s Musaeum 615
- 12.8 Conclusion 628
- 13 Books, Prints and Drawings: The Musaeum as a centre of visualdocumentation 629
- 13.1 Introduction 629
- 13.2 Strada’s Acquisition of Drawings 630
- 13.3 ‘Owls to Athens’: Some Documents Relating to Strada’s GraphicCollection 634
- 13.4 The Contents of Strada’s Collection of Prints and Drawings 641
- 13.5 Later Fate of Strada’s Prints and Drawings 647
- 13.6 Drawings Preserved in a Context Linking Them withStrada 649
- 13.7 Strada’s Commissions of Visual Documentation: Antiquity 673
- 13.8 Strada’s Commissions of Visual Documentation: Contemporary Architecture and Decoration 692
- 13.9 Images as a Source of Knowledge 711
- 13.10 Conclusion 717
- 14 ‘Ex Musaeo et Impensis Jacobi Stradae, S.C.M. Antiquarius, CivisRomani’: Strada’s Frustrated Ambitions as a Publisher 719
- 14.1 Is There Life beyond the Court? 719
- 14.2 Strada’s Family 719
- 14.3 Ottavio Strada’s Role 725
- 14.4 The Publishing Project: Strada Ambitions as a Publisher 728
- 14.5 The Musaeum as an Editorial Office? 739
- 14.6 Financing the Programme 752
- 14.7 The Index Sive Catalogus 760
- 14.8 Strada’s Approach of Christophe Plantin 775
- 14.9 The Rupture with Ottavio 781
- 14.10 Strada’s Testamentary Disposition 783
- 14.11 Conclusion: The Aftermath 786
- 15 Le Cose dell’antichità : Strada as a Student of Antiquity 799
- 16 Strada & Co.: By Appointment to His Majesty the Emperor 830
- 16.1 Strada as an Imperial Antiquary and Architect 830
- 16.2 Strada’s Role as an Agent 836
- 16.3 Strada as an Independent Agent 840
- 16.4 ‘Ex Musaeo Iacobi de Strada’: Study, Studio, Workshop, Office, Showroom 843
- 16.5 Strada’s Influence: An Agent of Change 849
- 16.6 Conclusion: Strada’s Personality 863
- 16.7 Epilogue: Back to the Portrait 868
- Appendices 877
- Chronological List of Sources 915
- Bibliography 932
- List of Illustrations 986
- Index 1038