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Chapter �
Early Years: Family Background, Education,
Giulio Romano
1.1 Family Background
On the seventh of September of 1459, according to the contemporary chron-
icler Andrea Schivenoglia, the Duke of ‘Clenij’ or ‘Clunii’—in fact Johann i,
Duke of Cleves—arrived in Mantua representing Philip the Good, Duke of Bur-
gundy, at the Mantuan Council presided over by Pope Pius ii. During his visit
he was lodged in the house belonging to the massaro of Mantua, an important
financial officer of this small but powerful North-Italian state.1 The Duke’s host,
Vivaldo della Strata, belonged to a family whose common ancestor, Lorenzo,
had in 1228 been called from Brescia to serve as podestà of Mantua. In this
he followed a tradition of his family, many members of which fulfilled similar
functions in Lombardy and Piedmont.2 Until their extinction in an outbreak
1 Vivaldo Strada was elected Councillor and massarius of the Comune of Mantua in 1445; he
died in 1475, cf. Piccoli 1988, who quotes the Mantuan chronicle Andrea Schivenoglia: ‘E che
venuto allora ambasciatore del duca di Borgogna il duca di Clunii, questo foe alogato in casa
de Vivaldo Strada da drè la via de San Dominico andando verso San Christophora’; a similar
passage is quoted by Carlo d’Arco in the entry on the Stradas in his manuscript Annotazioni
genealogiche di famiglie mantovane che possono servire alla esatta compilazione della storia
di queste (ASMn, Documenti patrii 220, vol. vii, pp. 65–75); but it cannot be found in D’Arco’s
own edition of Schivenoglia (D’Arco 1857a, the relevant passage on p. 139). D’Arco’s ms.
reads ‘Clunij’, but the relevant passage in his edition of Schivenoglia reads ‘Clenij’. Doubtless
Schivenoglia himself was confused, since Philip the Good was represented at the Mantuan
Council by his brother-in-law, Duke Johann i of Cleves, assisted by the young cleric Ferry
de Clugny. Though Clugny actually conducted the negotiations, he was too young and in
too subordinate a position to have been given a separate residence; they left Mantua on 24
September. Already in February 1459, at the Marquis of Mantua’s order, Vivaldo had imposed
a special tax on all Mantua citizens to finance works to make the city accessible to the boats
in which the Pope was to arrive (ibidem, pp. 133–134).
2 Lorenzo had been podestà in Brescia, and it is very likely that he was related to the Strada
who in 1025 were admitted among the families constituting the Comune of Pavia, several of
whose members fulfilled similar functions in many towns of Lombardy and Piemonte. First
and most important among these was Torello, a contemporary of Lorenzo, senescalcus of
Frederick ii and a well-known trovatore, who was podestà in Parma, Forlì, Florence, Pisa, Avi-
gnon and Savigliano. He is particularly distinguished in being identified with Torello d’Istria,
the protagonist of Boccaccio’s novella (Decamerone, 10th day, 9th novella), from which it
appears that he participated in the Third Crusade; cf. Zucchi 1950; Antonio Strada 1940.
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Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 1"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 1
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 1
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 572
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- Preface XV
- Acknowledgements XVIII
- Acknowledgments of Financial Support Received XXI
- List of Abbreviations XXII
- Introduction: The Image—Or from Whom (Not?) to Buy a Second-Hand Car 1
- 0.1 The Portraits of Jacopo and Ottavio Strada 1
- 0.2 Why are These Portraits so Special? 4
- 0.3 Motions of the Mind 4
- 0.4 What is Known About Strada: Early Notices 9
- 0.5 Quellenkunde: Some Sources Published in the NineteenthCentury 15
- 0.6 Kulturgeschichte before World War II 19
- 0.7 Romance: Josef Svátek and the Rudolfine Legend 21
- 0.8 A (Very) Modest Place in the History of Classical Scholarship 24
- 0.9 Contemporary Scholarship 25
- 0.10 What Has Not Been Written on Jacopo Strada 37
- 0.11 Weaving the Strands Together: The Purpose of this Study 39
- 1 Early Years: Family Background, Education, Giulio Romano 45
- 2 Travel: Rome, Landshut, Nuremberg—Strada’s Connection withWenzel Jamnitzer 67
- 3 In Hans Jakob Fuggers’s Service 107
- 3.1 Hans Jakob Fugger 107
- 3.2 Fugger as a Patron and Collector 114
- 3.3 Fugger’s Employment of Strada 121
- 3.4 Architectural Patronage for the Fuggers: The DonauwörthStudiolo 134
- 3.5 Strada’s Trips to Lyon 137
- 3.6 Strada’s Contacts in Lyon: Sebastiano Serlio 149
- 3.7 Civis Romanus: Strada’s Sojourn in Rome 156
- 3.8 Commissions and Purchases: The Genesis of Strada’s Musaeum 174
- 3.9 Departure from Rome 183
- 4 Antiquario Della Sacra Cesarea Maesta: Strada’s Tasksat Court 188
- 4.1 Looking for Patronage: Strada’s Arrival at the ImperialCourt 188
- 4.2 The Controversy with Wolfgang Lazius 200
- 4.3 ‘Obwol Ir.Maj. den Strada selbst dier Zeit wol zu geprauchen’: Strada’s Tasks at Court 210
- 4.4 Indirect Sources Throwing Light on Strada’s Employment at Court 242
- 4.5 Conclusion 248
- 5 Jacopo Strada as an Imperial Architect: Background 251
- 5.1 Introduction: The Austrian Habsburgs as Patrons of Architecture 251
- 5.2 The Prince as Architect: Ferdinand I and Maximilian II asAmateurs and Patrons of Architecture 255
- 5.3 ‘Adeste Musae’: Maximilian’s Hunting Lodge and Garden in the Prater 290
- 5.4 The Imperial Residence: Status quo at Strada’s Arrival 307
- 5.5 The Architectural Infrastructure at the Imperial Court 319
- 5.6 Strada’s Competence as an Architect 331
- 6 Strada’s Role in Projects Initiated by Emperor Ferdinand I 339
- 7 An Object Lesson: Strada’s House in Vienna 367
- 8 The Munich Antiquarium 383
- 9 The Neugebäude 430
- 9.1 The Tomb of Ferdinand I and Anna in Prague; Licinio’s Paintings in Pressburg 431
- 9.2 Kaiserebersdorf and Katterburg 432
- 9.3 Sobriety versus Conspicuous Consumption 437
- 9.4 Hans Jakob Fugger’s Letter 438
- 9.5 Description of the Complex 441
- 9.6 The Personal Involvement of Emperor Maximilian II 455
- 9.7 Ottoman Influence? 463
- 9.8 Classical Sources: Roman Castrametatio and the Fortified Palace of Diocletian at Split 467
- 9.9 Classical Sources: Monuments of Ancient Rome 480
- 9.10 Contemporary Italian Architecture 489
- 9.11 Strada’s Contribution 500
- 9.12 Conclusion: Strada’s Role in the Design of the Neugebäude 507
- 10 Other Patrons of Architecture 514
- 10.1 The Courtyard of the Landhaus in Graz 514
- 10.2 The Residence for Archduke Ernest 517
- 10.3 Other Patrons: Vilém z Rožmberk 520
- 10.4 Jan Šembera Černohorský z Boskovic and BučoviceCastle 524
- 10.5 Christoph von Teuffenbach: The House in Vienna and the Castle at Drnholec 530
- 10.6 Reichard Strein von Schwarzenau and the Castle at Schwarzenau 534
- 10.7 Conclusion 542