Seite - 367 - in Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 1
Bild der Seite - 367 -
Text der Seite - 367 -
© dirk jacob jansen, ���9 | doi:�0.��63/9789004359499_009
This is an open access chapter distributed under the terms of the prevailing cc-by-nc-nd License.
Chapter 7
An Object Lesson: Strada’s House in Vienna
Though we cannot attribute any executed project in Vienna to Strada on the
basis of incontrovertible evidence, there was one building of which he cer-
tainly must have made the designs. Moreover here he certainly also closely
supervised its execution, because he was not only its architect, but also its pa-
tron. When Strada had come to court, he had immediately brought his family
and household with him, clearly intending to settle in Vienna, where he soon
acquired a plot of ground on which to build himself a house. By the autumn
of 1562 he indicates, in a business letter to the French Ambassador, Bernardin
Bochetel, Bishop of Rennes, that this was one of his chief occupations at the
time:
As to me and my family, we are all well; and I have become the complete
philosopher, and I am always at home and attend to having built my little
house.1
The reference to a ‘small’ house might be explained by a humanist conceit
of modesty. But probably it refers to a house we know Strada at a later date
possessed in St. Ulrich, a suburb of Vienna just outside the walls opposite
the Hofburg. This may well be the house he had built soon after his arrival in
Vienna, mentioned in his letter to Bochetel.
The house we know that Strada did eventually build for himself certainly
was not small, but he acquired its site only after 1563, when in the Hofquartier-
bücher it is still indicated as ‘Herren von Prag behausung. Freyhaus’. It is indi-
cated as ‘h. von Prag’ on Bonifaz Wolmut’s carefully measured plan of Vienna
of 1547 [Fig. 7.1].2 It stood inside the city walls, in the close vicinity of the Hof-
burg, at the end of the Vorderen Schenkenstrasse, the present Bankgasse. It
was the last house before the huge bulk of the Löwelbastei, which stood more
or less on the location of the present Burgtheater [Figs. 7.2–7.3]. Only in the
Hofquartierbücher of 1566 its owner is indicated as ‘507. Jacob Strada. Das haus
hat vor deren von Prag haus gehaissen. Freyhaus’.3
1 DOC. 1562-10-21.
2 Camesina 1856–1858.
3 The Hofquartierbücher are discussed and abstracted in Birk 1869 (the Strada house p. 124–
125), and Camesina 1881 (p. 21). But possibly Strada already leased the house in the Schenken-
strasse by 1562 and began to convert it even before he definitely acquired it.
zurück zum
Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 1"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 1
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 1
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 572
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- Preface XV
- Acknowledgements XVIII
- Acknowledgments of Financial Support Received XXI
- List of Abbreviations XXII
- Introduction: The Image—Or from Whom (Not?) to Buy a Second-Hand Car 1
- 0.1 The Portraits of Jacopo and Ottavio Strada 1
- 0.2 Why are These Portraits so Special? 4
- 0.3 Motions of the Mind 4
- 0.4 What is Known About Strada: Early Notices 9
- 0.5 Quellenkunde: Some Sources Published in the NineteenthCentury 15
- 0.6 Kulturgeschichte before World War II 19
- 0.7 Romance: Josef Svátek and the Rudolfine Legend 21
- 0.8 A (Very) Modest Place in the History of Classical Scholarship 24
- 0.9 Contemporary Scholarship 25
- 0.10 What Has Not Been Written on Jacopo Strada 37
- 0.11 Weaving the Strands Together: The Purpose of this Study 39
- 1 Early Years: Family Background, Education, Giulio Romano 45
- 2 Travel: Rome, Landshut, Nuremberg—Strada’s Connection withWenzel Jamnitzer 67
- 3 In Hans Jakob Fuggers’s Service 107
- 3.1 Hans Jakob Fugger 107
- 3.2 Fugger as a Patron and Collector 114
- 3.3 Fugger’s Employment of Strada 121
- 3.4 Architectural Patronage for the Fuggers: The DonauwörthStudiolo 134
- 3.5 Strada’s Trips to Lyon 137
- 3.6 Strada’s Contacts in Lyon: Sebastiano Serlio 149
- 3.7 Civis Romanus: Strada’s Sojourn in Rome 156
- 3.8 Commissions and Purchases: The Genesis of Strada’s Musaeum 174
- 3.9 Departure from Rome 183
- 4 Antiquario Della Sacra Cesarea Maesta: Strada’s Tasksat Court 188
- 4.1 Looking for Patronage: Strada’s Arrival at the ImperialCourt 188
- 4.2 The Controversy with Wolfgang Lazius 200
- 4.3 ‘Obwol Ir.Maj. den Strada selbst dier Zeit wol zu geprauchen’: Strada’s Tasks at Court 210
- 4.4 Indirect Sources Throwing Light on Strada’s Employment at Court 242
- 4.5 Conclusion 248
- 5 Jacopo Strada as an Imperial Architect: Background 251
- 5.1 Introduction: The Austrian Habsburgs as Patrons of Architecture 251
- 5.2 The Prince as Architect: Ferdinand I and Maximilian II asAmateurs and Patrons of Architecture 255
- 5.3 ‘Adeste Musae’: Maximilian’s Hunting Lodge and Garden in the Prater 290
- 5.4 The Imperial Residence: Status quo at Strada’s Arrival 307
- 5.5 The Architectural Infrastructure at the Imperial Court 319
- 5.6 Strada’s Competence as an Architect 331
- 6 Strada’s Role in Projects Initiated by Emperor Ferdinand I 339
- 7 An Object Lesson: Strada’s House in Vienna 367
- 8 The Munich Antiquarium 383
- 9 The Neugebäude 430
- 9.1 The Tomb of Ferdinand I and Anna in Prague; Licinio’s Paintings in Pressburg 431
- 9.2 Kaiserebersdorf and Katterburg 432
- 9.3 Sobriety versus Conspicuous Consumption 437
- 9.4 Hans Jakob Fugger’s Letter 438
- 9.5 Description of the Complex 441
- 9.6 The Personal Involvement of Emperor Maximilian II 455
- 9.7 Ottoman Influence? 463
- 9.8 Classical Sources: Roman Castrametatio and the Fortified Palace of Diocletian at Split 467
- 9.9 Classical Sources: Monuments of Ancient Rome 480
- 9.10 Contemporary Italian Architecture 489
- 9.11 Strada’s Contribution 500
- 9.12 Conclusion: Strada’s Role in the Design of the Neugebäude 507
- 10 Other Patrons of Architecture 514
- 10.1 The Courtyard of the Landhaus in Graz 514
- 10.2 The Residence for Archduke Ernest 517
- 10.3 Other Patrons: Vilém z Rožmberk 520
- 10.4 Jan Šembera Černohorský z Boskovic and BučoviceCastle 524
- 10.5 Christoph von Teuffenbach: The House in Vienna and the Castle at Drnholec 530
- 10.6 Reichard Strein von Schwarzenau and the Castle at Schwarzenau 534
- 10.7 Conclusion 542