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149In
Hans Jakob Fuggerâs Service
When Strada wrote the preface to his Epitome thesauri antiquitatum he
knew this collection, which Grolier had taken with him when he moved to
Paris in 1530, only by reputation. He expressed the hope to be able to visit it in
the future, for he considered it as âtout ce que je pense me rester touchant la
perfection de mon livreâ.75 It appears, however, that this visit never took place,
because he had been shown the very few coins from Grolierâs collection that
he mentions in his ÎÎčαÏÎșΔÏ
Î either in Lyon or in Rome. It is easy to suggest
some possible explanations for this fact: he may have met Grolier himself in
either place (Grolier still possessed a house in Lyon), or may have seen coins
destined for the collection in the hands of one of Grolierâs agents, while it is
also possible that he only knew them by means of drawings or casts. Strada
never refers to a visit to the French courtânot even in his preface to Serlioâs
Settimo libro, where one would expect itâand in his ÎÎčαÏÎșΔÏ
Î he mentions
no Parisian collectors apart from Grolier. This indicates that if Strada visited
Paris or Fontainebleau at all, he cannot have remained there for any consider-
able time.
3.6 Stradaâs Contacts in Lyon: Sebastiano Serlio
Most of the learned men mentioned above were humanists chiefly interested
in antiquarian material, such as coins and inscriptions, which provided fixed
and reliable data that could be used to interpret the literary sources, and thus
could help to reconstruct the political history and aspects of the civilization of
the Roman Empire. This was done, for instance, in Guillaume Du Choulâs Dis-
cours de la réligion des anciens Romains, printed by Rouillé in 1556. Du Choul
was one of the few scholars who paid particular attention to the architecture of
the ancients, including in his treatise, as we have seen, reconstructions of some
of the temples of Rome that Strada had provided him with [Figs. 3.56â3.57]. Du
Choulâs interest in such practical aspects of Roman civilization is confirmed by
two other treatises, the Discours sur la castramétation et discipline militaire des
Romains and Des bains et antiques exercitations GrĂšcques et Romaines, printed
together in 1555, likewise by Rouillé, and often reprinted. Such interest in clas-
sical architecture was not completely new in Lyon: several of its scholars and
poets referred to the remains of the Roman city that could still be observed
75 Strada 1553<b>, p. bb-v.
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Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 1"
Inhaltsverzeichnis
- Preface XV
- Acknowledgements XVIII
- Acknowledgments of Financial Support Received XXI
- List of Abbreviations XXII
- Introduction: The ImageâOr from Whom (Not?) to Buy a Second-Hand Car 1
- 0.1 The Portraits of Jacopo and Ottavio Strada 1
- 0.2 Why are These Portraits so Special? 4
- 0.3 Motions of the Mind 4
- 0.4 What is Known About Strada: Early Notices 9
- 0.5 Quellenkunde: Some Sources Published in the NineteenthCentury 15
- 0.6 Kulturgeschichte before World War II 19
- 0.7 Romance: Josef SvĂĄtek and the Rudolfine Legend 21
- 0.8 A (Very) Modest Place in the History of Classical Scholarship 24
- 0.9 Contemporary Scholarship 25
- 0.10 What Has Not Been Written on Jacopo Strada 37
- 0.11 Weaving the Strands Together: The Purpose of this Study 39
- 1 Early Years: Family Background, Education, Giulio Romano 45
- 2 Travel: Rome, Landshut, NurembergâStradaâs Connection withWenzel Jamnitzer 67
- 3 In Hans Jakob Fuggersâs Service 107
- 3.1 Hans Jakob Fugger 107
- 3.2 Fugger as a Patron and Collector 114
- 3.3 Fuggerâs Employment of Strada 121
- 3.4 Architectural Patronage for the Fuggers: The DonauwörthStudiolo 134
- 3.5 Stradaâs Trips to Lyon 137
- 3.6 Stradaâs Contacts in Lyon: Sebastiano Serlio 149
- 3.7 Civis Romanus: Stradaâs Sojourn in Rome 156
- 3.8 Commissions and Purchases: The Genesis of Stradaâs Musaeum 174
- 3.9 Departure from Rome 183
- 4 Antiquario Della Sacra Cesarea Maesta: Stradaâs Tasksat Court 188
- 4.1 Looking for Patronage: Stradaâs Arrival at the ImperialCourt 188
- 4.2 The Controversy with Wolfgang Lazius 200
- 4.3 âObwol Ir.Maj. den Strada selbst dier Zeit wol zu geprauchenâ: Stradaâs Tasks at Court 210
- 4.4 Indirect Sources Throwing Light on Stradaâs Employment at Court 242
- 4.5 Conclusion 248
- 5 Jacopo Strada as an Imperial Architect: Background 251
- 5.1 Introduction: The Austrian Habsburgs as Patrons of Architecture 251
- 5.2 The Prince as Architect: Ferdinand I and Maximilian II asAmateurs and Patrons of Architecture 255
- 5.3 âAdeste Musaeâ: Maximilianâs Hunting Lodge and Garden in the Prater 290
- 5.4 The Imperial Residence: Status quo at Stradaâs Arrival 307
- 5.5 The Architectural Infrastructure at the Imperial Court 319
- 5.6 Stradaâs Competence as an Architect 331
- 6 Stradaâs Role in Projects Initiated by Emperor Ferdinand I 339
- 7 An Object Lesson: Stradaâs House in Vienna 367
- 8 The Munich Antiquarium 383
- 9 The NeugebÀude 430
- 9.1 The Tomb of Ferdinand I and Anna in Prague; Licinioâs Paintings in Pressburg 431
- 9.2 Kaiserebersdorf and Katterburg 432
- 9.3 Sobriety versus Conspicuous Consumption 437
- 9.4 Hans Jakob Fuggerâs Letter 438
- 9.5 Description of the Complex 441
- 9.6 The Personal Involvement of Emperor Maximilian II 455
- 9.7 Ottoman Influence? 463
- 9.8 Classical Sources: Roman Castrametatio and the Fortified Palace of Diocletian at Split 467
- 9.9 Classical Sources: Monuments of Ancient Rome 480
- 9.10 Contemporary Italian Architecture 489
- 9.11 Stradaâs Contribution 500
- 9.12 Conclusion: Stradaâs Role in the Design of the NeugebĂ€ude 507
- 10 Other Patrons of Architecture 514
- 10.1 The Courtyard of the Landhaus in Graz 514
- 10.2 The Residence for Archduke Ernest 517
- 10.3 Other Patrons: VilĂ©m z RoĆŸmberk 520
- 10.4 Jan Ć embera ÄernohorskĂœ z Boskovic and BuÄoviceCastle 524
- 10.5 Christoph von Teuffenbach: The House in Vienna and the Castle at Drnholec 530
- 10.6 Reichard Strein von Schwarzenau and the Castle at Schwarzenau 534
- 10.7 Conclusion 542