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111In
Hans Jakob Fugger’s Service
Imperial Council, and in 1551 he was given an honorary position in Ferdinand’s
household. In the next decade he appears to have determined the foreign pol-
icy of Augsburg almost single-handedly, a task for which he was particularly
suited because of his wide and influential acquaintance. Only after his uncle
Anton’s death in 1560, when he had to take over the management of the firm,
he began to loose interest in the daily routine of politics, and in 1565 his cousin
Marx Fugger took his place in the City Council.
Already in the preceding decade Hans Jakob had been engaged in the di-
rection of the firm. Since 1550 he had been chiefly occupied with the man-
agement of its Spanish interests, which had immeasurably increased in the
preceding quarter of a century: one only needs to think of the monopoly in
mercury which the firm obtained from Charles v, its lease on the possessions
of the ‘Maestrazgos’—the Spanish knightly orders of Santiago, Alcántara and
Calatrava—and of its branches in Chile and Peru. Such expansion had only
been possible because the firm had continually agreed to finance Charles v’s
policies, and therefore the bankruptcy of the Spanish Crown following Charles’
abdication and the consequent financial crisis profoundly shook the founda-
tions of the firm. It would have been difficult even for a man of much greater
commercial interest and talent than Hans Jakob to recoup the immense losses
incurred: the Fugger remained creditors of the Spanish crown for close to three
million ducats. Hans Jakob’s princely style of life and his generous patronage
of learning and of the arts did not contribute to redress the balance, and he
soon found himself even in private financial difficulties. In 1561 and 1562 he
could not pay his taxes, and his debts in Augsburg alone came to over two
hundred thousand Gulden; in June 1564 his lack of solvency had become so
pressing that he was constrained to announce his personal bankruptcy, with
a total amount of debts of over a million Gulden. This seemed worse than it
was: Fugger possessed very extensive landed property in Alsace, Swabia and
Bavaria, and in fact he was helped out by the Augsburg City Council itself, who
saw to an agreement with his local creditors—these were in fact paid off even
earlier than was stipulated—and by Duke Albrecht v of Bavaria [Fig. 3.4], who
first lent him a large sum of cash, and afterwards agreed to take over part of
Fugger’s debts in return for his splendid library and his collection of antiqui-
ties. The Duke moreover successfully mediated in Hans Jakob’s difficulties with
his cousins, which were caused by his bankruptcy and by a dispute about his
share in the assets of the firm after Anton’s death. The conflict was finally re-
solved in early October 1565, when a final division was made, and Hans Jakob
completely withdrew from the firm.5
5 On the consequent litigation of Hans Jakob and his heirs with the other branches of the fam-
ily, see Schneider 2016.
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Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 1"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 1
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 1
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 572
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- Preface XV
- Acknowledgements XVIII
- Acknowledgments of Financial Support Received XXI
- List of Abbreviations XXII
- Introduction: The Image—Or from Whom (Not?) to Buy a Second-Hand Car 1
- 0.1 The Portraits of Jacopo and Ottavio Strada 1
- 0.2 Why are These Portraits so Special? 4
- 0.3 Motions of the Mind 4
- 0.4 What is Known About Strada: Early Notices 9
- 0.5 Quellenkunde: Some Sources Published in the NineteenthCentury 15
- 0.6 Kulturgeschichte before World War II 19
- 0.7 Romance: Josef Svátek and the Rudolfine Legend 21
- 0.8 A (Very) Modest Place in the History of Classical Scholarship 24
- 0.9 Contemporary Scholarship 25
- 0.10 What Has Not Been Written on Jacopo Strada 37
- 0.11 Weaving the Strands Together: The Purpose of this Study 39
- 1 Early Years: Family Background, Education, Giulio Romano 45
- 2 Travel: Rome, Landshut, Nuremberg—Strada’s Connection withWenzel Jamnitzer 67
- 3 In Hans Jakob Fuggers’s Service 107
- 3.1 Hans Jakob Fugger 107
- 3.2 Fugger as a Patron and Collector 114
- 3.3 Fugger’s Employment of Strada 121
- 3.4 Architectural Patronage for the Fuggers: The DonauwörthStudiolo 134
- 3.5 Strada’s Trips to Lyon 137
- 3.6 Strada’s Contacts in Lyon: Sebastiano Serlio 149
- 3.7 Civis Romanus: Strada’s Sojourn in Rome 156
- 3.8 Commissions and Purchases: The Genesis of Strada’s Musaeum 174
- 3.9 Departure from Rome 183
- 4 Antiquario Della Sacra Cesarea Maesta: Strada’s Tasksat Court 188
- 4.1 Looking for Patronage: Strada’s Arrival at the ImperialCourt 188
- 4.2 The Controversy with Wolfgang Lazius 200
- 4.3 ‘Obwol Ir.Maj. den Strada selbst dier Zeit wol zu geprauchen’: Strada’s Tasks at Court 210
- 4.4 Indirect Sources Throwing Light on Strada’s Employment at Court 242
- 4.5 Conclusion 248
- 5 Jacopo Strada as an Imperial Architect: Background 251
- 5.1 Introduction: The Austrian Habsburgs as Patrons of Architecture 251
- 5.2 The Prince as Architect: Ferdinand I and Maximilian II asAmateurs and Patrons of Architecture 255
- 5.3 ‘Adeste Musae’: Maximilian’s Hunting Lodge and Garden in the Prater 290
- 5.4 The Imperial Residence: Status quo at Strada’s Arrival 307
- 5.5 The Architectural Infrastructure at the Imperial Court 319
- 5.6 Strada’s Competence as an Architect 331
- 6 Strada’s Role in Projects Initiated by Emperor Ferdinand I 339
- 7 An Object Lesson: Strada’s House in Vienna 367
- 8 The Munich Antiquarium 383
- 9 The Neugebäude 430
- 9.1 The Tomb of Ferdinand I and Anna in Prague; Licinio’s Paintings in Pressburg 431
- 9.2 Kaiserebersdorf and Katterburg 432
- 9.3 Sobriety versus Conspicuous Consumption 437
- 9.4 Hans Jakob Fugger’s Letter 438
- 9.5 Description of the Complex 441
- 9.6 The Personal Involvement of Emperor Maximilian II 455
- 9.7 Ottoman Influence? 463
- 9.8 Classical Sources: Roman Castrametatio and the Fortified Palace of Diocletian at Split 467
- 9.9 Classical Sources: Monuments of Ancient Rome 480
- 9.10 Contemporary Italian Architecture 489
- 9.11 Strada’s Contribution 500
- 9.12 Conclusion: Strada’s Role in the Design of the Neugebäude 507
- 10 Other Patrons of Architecture 514
- 10.1 The Courtyard of the Landhaus in Graz 514
- 10.2 The Residence for Archduke Ernest 517
- 10.3 Other Patrons: Vilém z Rožmberk 520
- 10.4 Jan Šembera Černohorský z Boskovic and BučoviceCastle 524
- 10.5 Christoph von Teuffenbach: The House in Vienna and the Castle at Drnholec 530
- 10.6 Reichard Strein von Schwarzenau and the Castle at Schwarzenau 534
- 10.7 Conclusion 542