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117In
Hans Jakob Fugger’s Service
Of course such dedications or gifts were not always tokens of gratitude for
immediate financial support. Sometimes the various authors referred to other
benefits received from Hans Jakob, who might have used his influence in help-
ing them find a job, could have been their host in Augsburg, or had helped
them to find or to gain access to some important but rare source necessary
for their work. It is to Fugger’s credit that, though his staunch adherence to
the established religion is without question, he never let religious difference
prevent him from helping those whose intellectual gifts clearly deserved his
support: and such tolerance included his day-to-day life and his own house, as
is demonstrated by his appointment of the strict Protestant Hieronymus Wolf
as his librarian [Fig. 3.12].
But not all authors who presented their works had received such con-
crete support from Fugger: sometimes they merely acknowledged the helpful
exchange of opinions with the learned colleague, or dedicated the fruit of
their labours to Fugger purely for his wide renown as a patron of learning
and the fame of his extraordinary library. This library, which for some years
was the largest and most complete in Germany, laid the foundations of the
Munich Hofbibliothek—now the Bayerische Staatsbibliothek—and of all Fug-
ger’s endeavours has doubtless conferred the most lasting benefits on poster-
ity. Already as a young student Fugger had used his ample means to acquire
many books, such as a new edition of Livy which, when a student at Bourges,
he lent to his teacher Alciati.14 By the time he returned from Italy in 1535, his
collection had already grown sufficiently to be specifically referred to in one of
Viglius’ letters. Fugger’s just pride in his library, which was the fruit of a con-
scious and systematic programme of collecting, is expressed in the opening
paragraph of the Ehrenspiegel, in which he relates his efforts to the example
of Alfonso of Aragon, King of Naples, who had included an opened book in
his armorial bearings.15 The great naturalist and bibliographer, Conrad Gesner
devotes a passage to Fugger’s patronage: ‘Considerant donques que ie n’ay iamais veu
homme à qui la cognoissance des antiquitez ayt esté plus plaisante qu’à vous [<…>] qu’à
bien bon droit les gens vertueux et doctes que vous aves esleves et soutenuz par vos bien-
faits, et qui sont parvenuz à dignitez et honneurs, à l’adveu de vostre nom, en sont assez
suffisante preuve’.
14 Cf. above, note 3.
15 Quoted in Hartig 1917, p. 193: ‘Dieweil dann der hochloblich vnd weiss Alphonsus Kinig
zu Arragonia, Neaples vnd Sicilien, sich aller Historien zu lesen, hoch beflissen, auch als
ein hertzweiser Kinig ein herrlichen Schatz von allerlay Buechern, mit grosser antzal
versamlen lassen, auch sein höchste freud vnd wollust in den Buechern, welche Er der
todten Rate genant, gehabt, Ja ein aufgethon Buch in seiner Maiestat Haupt Insigel vnd
wappen, für ein Librey gefieret. Vnd aber Got der Allmechtig mir souil Gnaden verlihen,
das Ich aus warer angeborner natur vnd liebe, zu aller lobwürdigen guten kunsten aller
faculteten, vor andern meines Eerlichenn Geschlechts, ein solche herrliche Bibliothecam
zurück zum
Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 1"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 1
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 1
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 572
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- Preface XV
- Acknowledgements XVIII
- Acknowledgments of Financial Support Received XXI
- List of Abbreviations XXII
- Introduction: The Image—Or from Whom (Not?) to Buy a Second-Hand Car 1
- 0.1 The Portraits of Jacopo and Ottavio Strada 1
- 0.2 Why are These Portraits so Special? 4
- 0.3 Motions of the Mind 4
- 0.4 What is Known About Strada: Early Notices 9
- 0.5 Quellenkunde: Some Sources Published in the NineteenthCentury 15
- 0.6 Kulturgeschichte before World War II 19
- 0.7 Romance: Josef Svátek and the Rudolfine Legend 21
- 0.8 A (Very) Modest Place in the History of Classical Scholarship 24
- 0.9 Contemporary Scholarship 25
- 0.10 What Has Not Been Written on Jacopo Strada 37
- 0.11 Weaving the Strands Together: The Purpose of this Study 39
- 1 Early Years: Family Background, Education, Giulio Romano 45
- 2 Travel: Rome, Landshut, Nuremberg—Strada’s Connection withWenzel Jamnitzer 67
- 3 In Hans Jakob Fuggers’s Service 107
- 3.1 Hans Jakob Fugger 107
- 3.2 Fugger as a Patron and Collector 114
- 3.3 Fugger’s Employment of Strada 121
- 3.4 Architectural Patronage for the Fuggers: The DonauwörthStudiolo 134
- 3.5 Strada’s Trips to Lyon 137
- 3.6 Strada’s Contacts in Lyon: Sebastiano Serlio 149
- 3.7 Civis Romanus: Strada’s Sojourn in Rome 156
- 3.8 Commissions and Purchases: The Genesis of Strada’s Musaeum 174
- 3.9 Departure from Rome 183
- 4 Antiquario Della Sacra Cesarea Maesta: Strada’s Tasksat Court 188
- 4.1 Looking for Patronage: Strada’s Arrival at the ImperialCourt 188
- 4.2 The Controversy with Wolfgang Lazius 200
- 4.3 ‘Obwol Ir.Maj. den Strada selbst dier Zeit wol zu geprauchen’: Strada’s Tasks at Court 210
- 4.4 Indirect Sources Throwing Light on Strada’s Employment at Court 242
- 4.5 Conclusion 248
- 5 Jacopo Strada as an Imperial Architect: Background 251
- 5.1 Introduction: The Austrian Habsburgs as Patrons of Architecture 251
- 5.2 The Prince as Architect: Ferdinand I and Maximilian II asAmateurs and Patrons of Architecture 255
- 5.3 ‘Adeste Musae’: Maximilian’s Hunting Lodge and Garden in the Prater 290
- 5.4 The Imperial Residence: Status quo at Strada’s Arrival 307
- 5.5 The Architectural Infrastructure at the Imperial Court 319
- 5.6 Strada’s Competence as an Architect 331
- 6 Strada’s Role in Projects Initiated by Emperor Ferdinand I 339
- 7 An Object Lesson: Strada’s House in Vienna 367
- 8 The Munich Antiquarium 383
- 9 The Neugebäude 430
- 9.1 The Tomb of Ferdinand I and Anna in Prague; Licinio’s Paintings in Pressburg 431
- 9.2 Kaiserebersdorf and Katterburg 432
- 9.3 Sobriety versus Conspicuous Consumption 437
- 9.4 Hans Jakob Fugger’s Letter 438
- 9.5 Description of the Complex 441
- 9.6 The Personal Involvement of Emperor Maximilian II 455
- 9.7 Ottoman Influence? 463
- 9.8 Classical Sources: Roman Castrametatio and the Fortified Palace of Diocletian at Split 467
- 9.9 Classical Sources: Monuments of Ancient Rome 480
- 9.10 Contemporary Italian Architecture 489
- 9.11 Strada’s Contribution 500
- 9.12 Conclusion: Strada’s Role in the Design of the Neugebäude 507
- 10 Other Patrons of Architecture 514
- 10.1 The Courtyard of the Landhaus in Graz 514
- 10.2 The Residence for Archduke Ernest 517
- 10.3 Other Patrons: Vilém z Rožmberk 520
- 10.4 Jan Šembera Černohorský z Boskovic and BučoviceCastle 524
- 10.5 Christoph von Teuffenbach: The House in Vienna and the Castle at Drnholec 530
- 10.6 Reichard Strein von Schwarzenau and the Castle at Schwarzenau 534
- 10.7 Conclusion 542