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Chapter
4196
Strada did take advantage of his trip to Prague to pay a visit to Regens-
burg, where a Diet was in progress in the presence of the new Emperor. He
was received in audience probably on 5 February, when Ferdinand accorded
him an Ehrengeschenk of hundred Thaler.14 Poor Ferdinand! While engaged in
complex and important political negotiations, and worrying about the Turks in
Hungary and about the wayward behaviour of his eldest son, he was also beset
by swarms of figures such as Strada seeking his patronage: only a few days later
the Hofkammer made a list of recent payments to a number of similar clients.
One can only hope that the talents of at least some of them occasionally dis-
tracted the Emperor from his cares, as will have been the case with Orlando
di Lasso, who precedes Strada in this list.15 In view of Ferdinand’s interest in
Antiquity, and in particular in ancient coins, Strada’s visit may likewise have
served as a welcome distraction: Strada had prepared a present for the Em-
peror, a set of drawings of Roman Republican coinage.
This manuscript, the first volume of De consularibus numismata, is similar
in concept and execution to the numismatic works he had produced for Fug-
ger and for his unknown French patron.16 Its beautifully illuminated title page,
including the Imperial coat of arms [Fig. 4.4], betrays its original destination:
the panel in the pedestal of the left column is covered by a strip of marbled
paper hiding a drawing of Charles v’s emblem showing the Pillars of Hercules,
accompanied with the famous device Plus Ultra. Ferdinand’s appreciation of
this gift was expressed in the Ehrengeschenk that he accorded Strada on this
occasion, and in his interest in the second volume of the work, which Strada
promised to finish for him.17
Strada presented his manuscript to Ferdinand not merely in the hope of
obtaining the habitual financial reward, but also as a means to draw the Em-
peror’s attention to his person and his qualifications. This is borne out by his
14 DOC. 1557-02-05.
15 DOCS. 1557-02-05 and 1557-02-08.
16 önb-hs, cod. 9411–9412; the Fugger manuscripts are now in Gotha and London, the
French volume, dated 1554, in the Bibliothèque de l’Arsenal in Paris; cf. above, Ch. 3.3.
17 DOC. 1558-02-12: Strada refers to his visit in Regensburg. Von Busch 1973, p. 199 and p. 335,
note 47, cites this letter as directed to Maximilian. This is incorrect: it is addressed to the
King of the Romans, which was Ferdinand i, whose succession to Charles as Emperor was
formally confirmed by the College of Electors only on 14 March 1558. For the same reason
Strada’s dedication of his edition of Panvinio’s Epitome pontificum romanorum of 1557
reads: ‘Domino D. Ferdinando Romani Imperii Caesari designato’. Maximilian was elected
King of the Romans only during the Frankfurt Diet of 1562 (election 24 November, corona-
tion 30 November). The letter refers to Strada’s meeting with the addressee in Regensburg,
and the latter’s visit to Strada’s studio, probably in Nuremberg: since Maximilian did not
set foot in Germany proper between his return from Brussels in the early autumn of 1556
(he merely spent one night, 11–12 September, in Regensburg) and the Frankfurt Diet (ar-
rival 23 October) it is out of the question that Maximilian is meant.
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Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 1"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 1
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 1
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 572
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- Preface XV
- Acknowledgements XVIII
- Acknowledgments of Financial Support Received XXI
- List of Abbreviations XXII
- Introduction: The Image—Or from Whom (Not?) to Buy a Second-Hand Car 1
- 0.1 The Portraits of Jacopo and Ottavio Strada 1
- 0.2 Why are These Portraits so Special? 4
- 0.3 Motions of the Mind 4
- 0.4 What is Known About Strada: Early Notices 9
- 0.5 Quellenkunde: Some Sources Published in the NineteenthCentury 15
- 0.6 Kulturgeschichte before World War II 19
- 0.7 Romance: Josef Svátek and the Rudolfine Legend 21
- 0.8 A (Very) Modest Place in the History of Classical Scholarship 24
- 0.9 Contemporary Scholarship 25
- 0.10 What Has Not Been Written on Jacopo Strada 37
- 0.11 Weaving the Strands Together: The Purpose of this Study 39
- 1 Early Years: Family Background, Education, Giulio Romano 45
- 2 Travel: Rome, Landshut, Nuremberg—Strada’s Connection withWenzel Jamnitzer 67
- 3 In Hans Jakob Fuggers’s Service 107
- 3.1 Hans Jakob Fugger 107
- 3.2 Fugger as a Patron and Collector 114
- 3.3 Fugger’s Employment of Strada 121
- 3.4 Architectural Patronage for the Fuggers: The DonauwörthStudiolo 134
- 3.5 Strada’s Trips to Lyon 137
- 3.6 Strada’s Contacts in Lyon: Sebastiano Serlio 149
- 3.7 Civis Romanus: Strada’s Sojourn in Rome 156
- 3.8 Commissions and Purchases: The Genesis of Strada’s Musaeum 174
- 3.9 Departure from Rome 183
- 4 Antiquario Della Sacra Cesarea Maesta: Strada’s Tasksat Court 188
- 4.1 Looking for Patronage: Strada’s Arrival at the ImperialCourt 188
- 4.2 The Controversy with Wolfgang Lazius 200
- 4.3 ‘Obwol Ir.Maj. den Strada selbst dier Zeit wol zu geprauchen’: Strada’s Tasks at Court 210
- 4.4 Indirect Sources Throwing Light on Strada’s Employment at Court 242
- 4.5 Conclusion 248
- 5 Jacopo Strada as an Imperial Architect: Background 251
- 5.1 Introduction: The Austrian Habsburgs as Patrons of Architecture 251
- 5.2 The Prince as Architect: Ferdinand I and Maximilian II asAmateurs and Patrons of Architecture 255
- 5.3 ‘Adeste Musae’: Maximilian’s Hunting Lodge and Garden in the Prater 290
- 5.4 The Imperial Residence: Status quo at Strada’s Arrival 307
- 5.5 The Architectural Infrastructure at the Imperial Court 319
- 5.6 Strada’s Competence as an Architect 331
- 6 Strada’s Role in Projects Initiated by Emperor Ferdinand I 339
- 7 An Object Lesson: Strada’s House in Vienna 367
- 8 The Munich Antiquarium 383
- 9 The Neugebäude 430
- 9.1 The Tomb of Ferdinand I and Anna in Prague; Licinio’s Paintings in Pressburg 431
- 9.2 Kaiserebersdorf and Katterburg 432
- 9.3 Sobriety versus Conspicuous Consumption 437
- 9.4 Hans Jakob Fugger’s Letter 438
- 9.5 Description of the Complex 441
- 9.6 The Personal Involvement of Emperor Maximilian II 455
- 9.7 Ottoman Influence? 463
- 9.8 Classical Sources: Roman Castrametatio and the Fortified Palace of Diocletian at Split 467
- 9.9 Classical Sources: Monuments of Ancient Rome 480
- 9.10 Contemporary Italian Architecture 489
- 9.11 Strada’s Contribution 500
- 9.12 Conclusion: Strada’s Role in the Design of the Neugebäude 507
- 10 Other Patrons of Architecture 514
- 10.1 The Courtyard of the Landhaus in Graz 514
- 10.2 The Residence for Archduke Ernest 517
- 10.3 Other Patrons: Vilém z Rožmberk 520
- 10.4 Jan Šembera Černohorský z Boskovic and BučoviceCastle 524
- 10.5 Christoph von Teuffenbach: The House in Vienna and the Castle at Drnholec 530
- 10.6 Reichard Strein von Schwarzenau and the Castle at Schwarzenau 534
- 10.7 Conclusion 542