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Chapter
4206
comparison with those of Rome, where I have learned this science’. In his let-
ter to Martin de Guzmán Strada had attacked Lazius without even the least
respect for his very real merit, and though Guzmán hopefully had been tactful
enough not actually to show Lazius this letter, he must at least have acquainted
him with the gist of it.
4.2.4 A Possible Solution: Onofrio Panvinio?
As Oberstkammerer, Guzmán was ultimately responsible for the project, as
he was responsible for the internal peace of the Imperial household. He can-
not have been very happy with the controversy. Though convinced by Strada
and Agustín that Lazius was not sufficiently competent to finish the catalogue
without more specialized assistance, neither he nor the Emperor would have
wished to offend such a prominent scholar and well-deserving servant by re-
placing him by his tactless rival.
It was Agustín who suggested a solution: he proposed that his good friend
Panvinio would be asked to come to Vienna, to work in a team including both
Strada and Lazius himself. He hoped his own presence would mitigate the
effects of the existing mutual antagonism between Strada and Panvinio on
the one hand, and Strada and Lazius on the other. But soon it transpired that
Agustín, who had returned to Rome accompanying Guzmán, sent as envoy
to officially acquaint the Pope with Ferdinand’s election, would not return to
Vienna. And he doubted the Emperor’s patronage: ‘La sua natura [= Ferdinand’s],
né di questo Signor Imbasciator [= Guzmán] non è di spender molto in queste
cose’. Yet he hoped Panvinio would travel to Vienna, and applauded the latter’s
suggestion to take Enea Vico with him: together they could replace Strada:
<…>then [the two of you] you could send Strada into the woods, and you
will succeed with the help of Lazius, who delights in commissioning en-
gravings. All together you would make a beautiful book for the Emperor.29
4.2.5 Lazius’ Counter-attack and Strada’s Defence: The Letter to King
Maximilian
Meanwhile Lazius had launched a counter-attack. In April he printed a sample
of his catalogue, provided with a dedication to Guzmán, in which he refers in
general terms to invidious detractors of his work. Renate von Busch found a
copy of the same work which includes a dedication to Urban von Trenbach,
29 DOCS. 1558-06-11 and 1558-06-25. Agustín particularly wished Panvinio to go because this
would give him the opportunity to visit the German libraries, where he would find so
much material for his principal subject of study, the history of the Church.
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Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 1"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 1
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 1
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 572
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- Preface XV
- Acknowledgements XVIII
- Acknowledgments of Financial Support Received XXI
- List of Abbreviations XXII
- Introduction: The Image—Or from Whom (Not?) to Buy a Second-Hand Car 1
- 0.1 The Portraits of Jacopo and Ottavio Strada 1
- 0.2 Why are These Portraits so Special? 4
- 0.3 Motions of the Mind 4
- 0.4 What is Known About Strada: Early Notices 9
- 0.5 Quellenkunde: Some Sources Published in the NineteenthCentury 15
- 0.6 Kulturgeschichte before World War II 19
- 0.7 Romance: Josef Svátek and the Rudolfine Legend 21
- 0.8 A (Very) Modest Place in the History of Classical Scholarship 24
- 0.9 Contemporary Scholarship 25
- 0.10 What Has Not Been Written on Jacopo Strada 37
- 0.11 Weaving the Strands Together: The Purpose of this Study 39
- 1 Early Years: Family Background, Education, Giulio Romano 45
- 2 Travel: Rome, Landshut, Nuremberg—Strada’s Connection withWenzel Jamnitzer 67
- 3 In Hans Jakob Fuggers’s Service 107
- 3.1 Hans Jakob Fugger 107
- 3.2 Fugger as a Patron and Collector 114
- 3.3 Fugger’s Employment of Strada 121
- 3.4 Architectural Patronage for the Fuggers: The DonauwörthStudiolo 134
- 3.5 Strada’s Trips to Lyon 137
- 3.6 Strada’s Contacts in Lyon: Sebastiano Serlio 149
- 3.7 Civis Romanus: Strada’s Sojourn in Rome 156
- 3.8 Commissions and Purchases: The Genesis of Strada’s Musaeum 174
- 3.9 Departure from Rome 183
- 4 Antiquario Della Sacra Cesarea Maesta: Strada’s Tasksat Court 188
- 4.1 Looking for Patronage: Strada’s Arrival at the ImperialCourt 188
- 4.2 The Controversy with Wolfgang Lazius 200
- 4.3 ‘Obwol Ir.Maj. den Strada selbst dier Zeit wol zu geprauchen’: Strada’s Tasks at Court 210
- 4.4 Indirect Sources Throwing Light on Strada’s Employment at Court 242
- 4.5 Conclusion 248
- 5 Jacopo Strada as an Imperial Architect: Background 251
- 5.1 Introduction: The Austrian Habsburgs as Patrons of Architecture 251
- 5.2 The Prince as Architect: Ferdinand I and Maximilian II asAmateurs and Patrons of Architecture 255
- 5.3 ‘Adeste Musae’: Maximilian’s Hunting Lodge and Garden in the Prater 290
- 5.4 The Imperial Residence: Status quo at Strada’s Arrival 307
- 5.5 The Architectural Infrastructure at the Imperial Court 319
- 5.6 Strada’s Competence as an Architect 331
- 6 Strada’s Role in Projects Initiated by Emperor Ferdinand I 339
- 7 An Object Lesson: Strada’s House in Vienna 367
- 8 The Munich Antiquarium 383
- 9 The Neugebäude 430
- 9.1 The Tomb of Ferdinand I and Anna in Prague; Licinio’s Paintings in Pressburg 431
- 9.2 Kaiserebersdorf and Katterburg 432
- 9.3 Sobriety versus Conspicuous Consumption 437
- 9.4 Hans Jakob Fugger’s Letter 438
- 9.5 Description of the Complex 441
- 9.6 The Personal Involvement of Emperor Maximilian II 455
- 9.7 Ottoman Influence? 463
- 9.8 Classical Sources: Roman Castrametatio and the Fortified Palace of Diocletian at Split 467
- 9.9 Classical Sources: Monuments of Ancient Rome 480
- 9.10 Contemporary Italian Architecture 489
- 9.11 Strada’s Contribution 500
- 9.12 Conclusion: Strada’s Role in the Design of the Neugebäude 507
- 10 Other Patrons of Architecture 514
- 10.1 The Courtyard of the Landhaus in Graz 514
- 10.2 The Residence for Archduke Ernest 517
- 10.3 Other Patrons: Vilém z Rožmberk 520
- 10.4 Jan Šembera Černohorský z Boskovic and BučoviceCastle 524
- 10.5 Christoph von Teuffenbach: The House in Vienna and the Castle at Drnholec 530
- 10.6 Reichard Strein von Schwarzenau and the Castle at Schwarzenau 534
- 10.7 Conclusion 542