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Chapter
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the person of the Emperor, as well as the lawyers and accountants running
the chancery and the Hofkammer or treasury. Taken together, the further acts
of patronage that Strada obtained from Maximilian ii—his assistance in ac-
quiring and rebuilding his Vienna mansion, his insistent recommendations
to other princes to aid Strada in his affairs and his ambitions for his family,
and the formal recognition of his noble status—are exceptional: they dem-
onstrate that Strada’s services were highly valued. It is therefore odd that so
very little is known about what these services actually entailed. In fact Stra-
da’s function at the Imperial court is the largest and most glaringly blank spot
on the map of his career: whereas its size and shape can be roughly defined,
its contents can only be conjectured. For any real understanding of Strada’s
career this conjecture must be hazarded. Based on the assumption that the
patronage he received was indeed a recompense for services rendered, what-
ever their nature, the conjecture first relies on Strada’s few concrete activities
on the Emperor’s behalf that are documented. To give substance to the rather
hazy picture then emerging, Part ii of this study will be dedicated to Strada’s
activity as an architect, while Part iii concentrates on his role in the collecting
activities of his patrons and on his own collection. In both cases comparisons
with documented activities for other patrons, in particular for Duke Albrecht v
of Bavaria, will be discussed and the analogy used to underpin his conjectured
role in Vienna.
4.3.2 Strada’s Documented Activities on Behalf of His Imperial Patrons
Considering that Strada remained in Imperial service for over twenty years,
and in two different functions, his concrete activities in those capacities that
are documented are quite few. As we have seen, his earliest activities on behalf
of members of the House of Austria preceded his appointment at court: his
involvement in Archduke Ferdinand’s projected silver Garden of Eden and his
advice on the planned catalogue of the Emperor’s medals have been discussed
above.
Soon after his arrival in Vienna, Strada was called upon to exercise a third
of his accomplishments, his understanding of architecture. In October 1558
he was summoned, together with Hermes Schallautzer—as Bausuperintendent
responsible for the management of the Imperial building projects in Vienna—
and the Imperial Architect Pietro Ferrabosco, to examine in the presence of
Ferdinand himself, the model for the arcades of the Hofspital, a charitable in-
stitution that was being built next to the Vienna Hofburg at the Emperor’s ex-
pense. The original model for the Hofspital had been presented to Ferdinand
by his architect Sigismundo da Preda in 1549; but Ferdinand had decided to
add superimposed arcades to the new building. It was the model for these
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Buch Jacopo Strada and Cultural Patronage at the Imperial Court - The Antique as Innovation, Band 1"
Jacopo Strada and Cultural Patronage at the Imperial Court
The Antique as Innovation, Band 1
- Titel
- Jacopo Strada and Cultural Patronage at the Imperial Court
- Untertitel
- The Antique as Innovation
- Band
- 1
- Autor
- Dirk Jacob Jansen
- Verlag
- Brill
- Ort
- Leiden
- Datum
- 2019
- Sprache
- englisch
- Lizenz
- CC BY-NC-ND 4.0
- ISBN
- 978-90-04-35949-9
- Abmessungen
- 15.8 x 24.1 cm
- Seiten
- 572
- Kategorien
- Biographien
- Kunst und Kultur
Inhaltsverzeichnis
- Preface XV
- Acknowledgements XVIII
- Acknowledgments of Financial Support Received XXI
- List of Abbreviations XXII
- Introduction: The Image—Or from Whom (Not?) to Buy a Second-Hand Car 1
- 0.1 The Portraits of Jacopo and Ottavio Strada 1
- 0.2 Why are These Portraits so Special? 4
- 0.3 Motions of the Mind 4
- 0.4 What is Known About Strada: Early Notices 9
- 0.5 Quellenkunde: Some Sources Published in the NineteenthCentury 15
- 0.6 Kulturgeschichte before World War II 19
- 0.7 Romance: Josef Svátek and the Rudolfine Legend 21
- 0.8 A (Very) Modest Place in the History of Classical Scholarship 24
- 0.9 Contemporary Scholarship 25
- 0.10 What Has Not Been Written on Jacopo Strada 37
- 0.11 Weaving the Strands Together: The Purpose of this Study 39
- 1 Early Years: Family Background, Education, Giulio Romano 45
- 2 Travel: Rome, Landshut, Nuremberg—Strada’s Connection withWenzel Jamnitzer 67
- 3 In Hans Jakob Fuggers’s Service 107
- 3.1 Hans Jakob Fugger 107
- 3.2 Fugger as a Patron and Collector 114
- 3.3 Fugger’s Employment of Strada 121
- 3.4 Architectural Patronage for the Fuggers: The DonauwörthStudiolo 134
- 3.5 Strada’s Trips to Lyon 137
- 3.6 Strada’s Contacts in Lyon: Sebastiano Serlio 149
- 3.7 Civis Romanus: Strada’s Sojourn in Rome 156
- 3.8 Commissions and Purchases: The Genesis of Strada’s Musaeum 174
- 3.9 Departure from Rome 183
- 4 Antiquario Della Sacra Cesarea Maesta: Strada’s Tasksat Court 188
- 4.1 Looking for Patronage: Strada’s Arrival at the ImperialCourt 188
- 4.2 The Controversy with Wolfgang Lazius 200
- 4.3 ‘Obwol Ir.Maj. den Strada selbst dier Zeit wol zu geprauchen’: Strada’s Tasks at Court 210
- 4.4 Indirect Sources Throwing Light on Strada’s Employment at Court 242
- 4.5 Conclusion 248
- 5 Jacopo Strada as an Imperial Architect: Background 251
- 5.1 Introduction: The Austrian Habsburgs as Patrons of Architecture 251
- 5.2 The Prince as Architect: Ferdinand I and Maximilian II asAmateurs and Patrons of Architecture 255
- 5.3 ‘Adeste Musae’: Maximilian’s Hunting Lodge and Garden in the Prater 290
- 5.4 The Imperial Residence: Status quo at Strada’s Arrival 307
- 5.5 The Architectural Infrastructure at the Imperial Court 319
- 5.6 Strada’s Competence as an Architect 331
- 6 Strada’s Role in Projects Initiated by Emperor Ferdinand I 339
- 7 An Object Lesson: Strada’s House in Vienna 367
- 8 The Munich Antiquarium 383
- 9 The Neugebäude 430
- 9.1 The Tomb of Ferdinand I and Anna in Prague; Licinio’s Paintings in Pressburg 431
- 9.2 Kaiserebersdorf and Katterburg 432
- 9.3 Sobriety versus Conspicuous Consumption 437
- 9.4 Hans Jakob Fugger’s Letter 438
- 9.5 Description of the Complex 441
- 9.6 The Personal Involvement of Emperor Maximilian II 455
- 9.7 Ottoman Influence? 463
- 9.8 Classical Sources: Roman Castrametatio and the Fortified Palace of Diocletian at Split 467
- 9.9 Classical Sources: Monuments of Ancient Rome 480
- 9.10 Contemporary Italian Architecture 489
- 9.11 Strada’s Contribution 500
- 9.12 Conclusion: Strada’s Role in the Design of the Neugebäude 507
- 10 Other Patrons of Architecture 514
- 10.1 The Courtyard of the Landhaus in Graz 514
- 10.2 The Residence for Archduke Ernest 517
- 10.3 Other Patrons: Vilém z Rožmberk 520
- 10.4 Jan Šembera Černohorský z Boskovic and BučoviceCastle 524
- 10.5 Christoph von Teuffenbach: The House in Vienna and the Castle at Drnholec 530
- 10.6 Reichard Strein von Schwarzenau and the Castle at Schwarzenau 534
- 10.7 Conclusion 542